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Внешние ссылки главной страницы ( 71 ) | |
facebook.com/mographdotcom | Facebook-f |
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youtube.com/channel/UCr92FqDXnYeDRuBwL_2YLKw | Youtube |
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mograph.com/tv/ | TV |
mograph.com/live/ | Videos |
mograph.com/livepodcast/ | Live Podcast |
mograph.com/thedrop/ | The DROP |
mograph.com/specials/ | Live Specials |
mograph.com/podcastnuggs/ | Podcast Nuggs |
mograph.com/womeninmograph/ | Women In Mograph |
mograph.com/talks/ | Talks |
mograph.com/tutorials/ | Tutorials |
mograph.com/podcasts/ | Podcasts |
mograph.com/podcast/ | Mograph Podcast |
mograph.com/goguerillafilmcast/ | Go Guerilla Filmcast |
mograph.com/cartoonfeelings/ | Cartoon Feelings |
mograph.com/classes/ | Classes |
mograph.thinkific.com/enrollments | Class Portal |
mograph.com/brushup/ | Brush Up |
mograph.com/news/ | News |
mograph.com | More |
mograph.com/about/ | About |
mograph.com/slack/ | Slack |
mograph.com/merch/ | Merch |
mograph.com/contact-us/ | Contact Us |
mographfans.com/2019/06/feelme/ | - |
mograph.com/2022/05/the-burrow-in-3d/ | Patryk Urbaniak explains how he used Redshift, 3ds Max, ZBrush and more to recreate the Weasley’s iconic home from Harry Potter’... |
mograph.com/2022/04/behind-the-scenes-of-the-matrix-resurrec... | UK-based Studio C on the graphic content they created for the fourth film in the iconic sci-fi series. |
mograph.com/2022/03/the-vfx-behind-a-darker-shade-of-magic/ | Leon Films on the studio’s adaptation of the popular ‘Shades of Magic’ book series. |
mograph.com/2022/03/learn-from-the-people-who-inspire-you-mo... | Dave Koss and Jon “Jags” Nee on Mograph’s new 24/7 streaming channel and Jags’ remake of the Halo 3 trailer. |
mograph.com/2022/03/the-dance-of-life-in-cg/ | Playful Studio explains the making of their nature-inspired short film ‘Magna Mater.’ |
mograph.com/2022/02/visualizing-a-world-spanning-race/ | Okean storytelling agency on using Redshift to create a pulse-pounding film for the Jaguar Racing Formula E team. |
mograph.com/2021/12/a-different-kind-of-love-story/ | John Robson on using 3D-scanned actors and procedural effects for his latest film, “Safety First.” |
mograph.com/2021/12/tech-for-all/ | How Ars Thanea used 3D to create a short film for Huawei, featuring a miniature, wooden world. |
mograph.com/2021/11/creating-the-titles-for-season-2-of-see/ | Method Studios’ Creative Director John Likens offers a behind-the-scenes look at the most complex title sequence he’s ever made. |
mograph.com/2021/11/baidir-a-space-opera/ | How Slimane Aniss combined 2D Japanese influences with Cinema 4D to create a trailer for his original series. |
mograph.com/2021/10/a-flood-of-plastic-in-3d/ | Method & Madness on the making of Greenpeace’s Wasteminster: A Downing Street Disaster. |
mograph.com/2021/10/its-good-to-be-king/ | Squeeze explains the animated trailer they created for Supercell’s “Clash Royale.” |
mograph.com/2021/10/designing-wandavisions-future-tech/ | Robyn Haddow talks about her recent Marvel Cinematic Universe collaboration with Cantina Creative. |
mograph.com/2021/09/wearable-works-of-art/ | How Tendril and Vitaly Grossmann created a launch film and visuals for an extraordinary timepiece. |
mograph.com/2021/09/toughtimescallforgoodfeels/ | Jon Lutjens breaks down his recent 3D-animated video journey, Good Trip. |
mograph.com/2021/08/digital-diversity/ | Amrit Pal Singh’s NFT-Ready Toy Face Portraits and 3D Rooms Are the Future of 3D Art. |
mograph.com/2021/08/strangerthings/ | As fans gear up for season four of the popular sci-fi series, Visual Effects Designer Steven Messing offers a look at how aspect... |
mograph.com/2021/06/reengineering-timekeeping/ | Studio Plankton on the brand video they created for modern watchmaker, Ressence. |
mograph.com/2021/05/making-science-fun/ | Madis Epler on how he uses C4D and other tools to create sci-fi-inspired idents for Smartzone TV rebrand. |
mograph.com/2021/03/bringing-science-to-life/ | How Ink and Giants turned DNA into an animated, immersive experience at a Saudi Arabian science museum. |
mograph.com/2021/03/who-says-finance-cant-be-visually-intere... | The Mill explains the story and design behind their 3D animated spot for Bloomberg. |
mograph.com/2021/02/what-heartbreak-looks-like/ | Jan Sladecko on the making of the 3D animated music video for J Balvin’s “Azul.” |
mograph.com/2021/02/using-3d-to-set-renaissance-art-in-motio... | Saad Moosajee and his team on creating the music video for Joji's "777". |
mograph.com/2020/12/from-cg-experiment-to-short-film/ | Takayuki Sato talks about the making of his latest short, Portal. |
mograph.com/2020/11/artful-engineering/ | The "electrowave" artwork on screen at the end of the film showcases the extreme viewing angle of the VIZIO OLED TV. |
mograph.com/2020/10/behind-the-screens-of-feature-films/ | UI design futurist Jayse Hansen on his career designing holograms and advanced future tech for Iron Man, Robocop, Katniss, Spide... |
mograph.com/2020/10/nick-denboer-and-the-art-of-weird/ | A behind-the-scenes look at the making of Deadmau5 and the Neptunes’ music video, “Pomegranate.” |
mograph.com/2020/08/machine-dreams/ | A behind-the-scenes look at a new film about artificial intelligenceAntibody’s Patrick Clair on the making of the titles for HBO... |
mograph.com/2020/08/making-magic-behind-the-scenes/ | Painting Practice on being the bridge between traditional and digital art departments for high-profile TV and films. |
mograph.com/2020/08/nature-will-prevail/ | Designer/illustrator/art director Sasha Vinogradova on her new short film, Forest. |
mograph.com/2020/07/art-under-quarantine/ | Motion graphics artist Fabian Aerts on the fictional title sequence he created during lockdown. |
mograph.com/2020/06/what-you-may-find/ | Chicago-based Sarofsky on using C4D, Houdini and more for the FITC Toronto 2020 titles. |
mograph.com/2020/05/high-end-effects-on-an-indie-budget/ | Eric Demeusy on using C4D for all of the 3D CG and VFX in his first feature film, Proximity. |
mograph.com/2020/05/love-myth-and-the-moon/ | Russ Etheridge explains his new 3D short film, Armstrong. |
mograph.com/2020/05/the-future-of-music/ | London’s Miro Shot on how their AR/VR band collective is making a new kind of music. |
mograph.com/2020/04/the-art-of-scientific-storytelling/ | Microverse Studios on helping a cutting-edge biotech firm visualize the future of medicine. |
mograph.com/2020/03/rise-of-the-stormtroopers/ | Far from bumbling, the bad guys get tough in the fan film, Star Wars: The Last Stand. |
mograph.com/2020/03/lost-in-thought/ | OVERWERK on using C4D and Redshift to create iconic sculptures for his latest video, Virtue. |
mograph.com/2020/01/coffeerun/ | Bomper pushed C4D’s character tools to make an animated short about a round of drinks gone horribly wrong. |
mograph.com/2019/12/machine/ | A behind-the-scenes look at a new film about artificial intelligence by the creators of Chef’s Table. |
mograph.com/2019/10/dazzleshipdrone/ | Dazzle Ship on building the Drone Racing League’s brand and launching its newest street drone. |
mograph.com/2019/06/feelme/ | David and Chelsea Ariew break down A Bad Think’s new music video for “Feel Me.” |
Внутренние ссылки главной страницы ( 20 ) | |
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/podcast | check out our podcast page. |
/live/ | Live Shows |
/livepodcast/ | Live Podcast |
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/goguerillafilmcast/ | Go Guerilla Filmcast |
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