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Ephemeral Magazine
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/?page_id=552 | > Continue to EphemeralMag |
ephemeralmag.com/wp-content/uploads/2015/11/viscult_spreads_... | <img> |
ephemeralmag.com/wp-content/uploads/2015/11/ephemeralmagpubl... | <img> |
ephemeralmag.com/wp-content/uploads/2015/12/Gal-Lashem-Race-... | Race, Capital and Violence |
ephemeralmag.com/wp-content/uploads/2015/12/Sofia-Gallarate-... | Porn Poverty: The Emancipatory Power of Enjoy Poverty Sofia Gallarate |
ephemeralmag.com/wp-content/uploads/2015/12/avril-.pdf | Preconceptions and Instabilities Within the Aesthetic Politics of Nationalist Institutions |
ephemeralmag.com/wp-content/uploads/2015/12/Natasha-Eves.pdf | I’m Not Perfect: the role of Grace Jones and David Bowie in aiding the dissemination of queer subjectivities |
ephemeralmag.com/wp-content/uploads/2015/12/rose-post.pdf | Is history still possible in light of postmodernity? |
ephemeralmag.com/wp-content/uploads/2015/12/Poli-cohab.pdf | Within the context of environmentalism and its histories, critically appraise a contemporary practice through which a collective... |
ephemeralmag.com/wp-content/uploads/2015/12/Jacob.pdf | To E – |
ephemeralmag.com/wp-content/uploads/2015/12/Beatrice-Hoare.p... | An exploration of the Benjaminian ‘Dialectical Image’ through a discussion of the dress in Yinka Shonibare’s 2013 work Miss Utop... |
ephemeralmag.com/wp-content/uploads/2015/12/Melissa.pdf | Making Pictures |
ephemeralmag.com/wp-content/uploads/2015/12/Daisy-philosophi... | Duras and Blanchot in Infinite Conversation. |
ephemeralmag.com/wp-content/uploads/2015/12/Imogen.pdf | Internationalism, post POP! : To what extend does the Saatchi Gallery’s Post Pop: East meets West demonstrate a sense of interna... |
ephemeralmag.com/wp-content/uploads/2015/12/Pietro.pdf | The idea of ‘Nature’ has undergone numerable configurations throughout the nineteenth and twentieth centuries. How have historic... |
ephemeralmag.com/wp-content/uploads/2015/12/Virginia.pdf | The Artist as Curator |
ephemeralmag.com/wp-content/uploads/2015/12/Barbara-Hornik.p... | Sexuality and subjectivity, gender and production: the dichotomies of a contemporary garment |
ephemeralmag.com/wp-content/uploads/2015/12/Irene-Barontini.... | The ‘Re-articulation’ of Discourses |
ephemeralmag.com/wp-content/uploads/2015/12/Tomoko-Matsumoto... | Beyond Walter Benjamin’s Dialectical Tensions: Interpreting Fashion Imageries from Japan |
ephemeralmag.com/wp-content/uploads/2015/12/Daisy-Clery-beck... | From Adorno to Rancière: Trying to Understand Endgame in the Aftermath of 9/11 |
ephemeralmag.com/wp-content/uploads/2015/12/Issey-Scott.pdf | Challenging Race Relations: The Visuals of Ope Lori and Die Antwoord |
ephemeralmag.com/wp-content/uploads/2015/12/Amelia-Carrino.p... | The Nineteenth-Century Museum’s Role in Imploring Social Codes. |
ephemeralmag.com/wp-content/uploads/2015/12/Polissena-Galdo-... | Care, Conviviality and Collaboration |
ephemeralmag.com/wp-content/uploads/2015/12/Lisa-Porter.pdf | How does ‘transdisciplinarity’ affect the fields of art and science with regards to ecological awareness? |
ephemeralmag.com/wp-content/uploads/2015/12/Daisy-2.pdf | Reading Breath as the Sublime. |
ephemeralmag.com/wp-content/uploads/2015/12/Hannah-.pdf | Is Samuel Beckett’s presentation of female characters problematic for feminists? |
ephemeralmag.com/wp-content/uploads/2015/12/avril-2-.pdf | Frank Bowling: Negotiating independence as an artist through the Black Arts Movement within a quest for a global arts regime. |
ephemeralmag.com/wp-content/uploads/2015/12/sofia-gallarate-... | The Resisting Power of the Archival Multitude |
ephemeralmag.com/wp-content/uploads/2015/12/Phoebe.pdf | Elaborations on Kingdoms of Childhood |
ephemeralmag.com/wp-content/uploads/2015/12/Rose-De-lara.pdf | Curating or the Curatorial? What are the different claims made for curating and the curatorial? How do they produce different ro... |
ephemeralmag.com/wp-content/uploads/2015/12/Polissena-Galdo-... | How might we conceive of Gregg Bordowitz’s film Habit (2001) as a political work of art? |
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