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Fillip
contemporary art magazine publication vancouver canada
Fillip is a Vancouver-based publishing organization formed to expand spaces for critical discussions on contemporary art.
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content/joseph-kosuths-the-second-investigation-in-vancouver | in Vancouver: Art on TV |
content/exclusion-zones | Eva Wilson: Exclusion Zones |
content/a-brief-account-of-two-artist-run-spaces | Michèle Faguet: A Brief Account of Two Artist-Run Spaces |
content/we-want-everything | Barnaby Drabble: We Want Everything: Assembled Thoughts on Artist-led Culture in Zürich |
content/rethinking-a-history-of-tokyo-art-speak | Makiko Hara: Rethinking a History of Tokyo Art Speak |
content/social-fabric | Pan Wendt: Social Fabric |
content/art-activism-and-urban-conflict-in-contemporary-barc... | Jeffrey Swartz: Space-Run Artists: Art Activism and Urban Conflict in Contemporary Barcelona |
content/artist-run-centres-in-vancouver | Keith Wallace: Artist-Run Centres in Vancouver: A Reflection on Three Texts |
content/via-satellite | Matei Bejenaru, Livia Pancu, and Kristina Lee Podesva: Via Satellite |
content/architectural-space-as-agent | Kenny Cupers, Markus Miessen, Magnus Nilsson, Ralf Pflugfelder, and Patricia Reed: Architectural Space as Agent |
content/here-bad-news-always-arrives-too-late | Vincent Bonin: Here, Bad News Always Arrives Too Late |
content/gastronomica-makan-an-ongoing-conversation | Ola El-Khalidi and Diala Khasawnih: Gastronomica Makan : An Ongoing Conversation |
content/intangible-economies | Antonia Hirsch: Intangible Economies |
content/the-golden-potlatch-study-in-mimesis-and-capitalist-... | Candice Hopkins: The Golden Potlatch : Study in Mimesis and Capitalist Desire |
content/faith-money-love | Jan Verwoert: Faith Money Love |
content/affect-and-exchange | Melanie Gilligan: Affect & Exchange |
content/investing-in-the-blank | Monika Szewczyk: Investing in the Blank |
content/someone-that-happens | Hadley+Maxwell: Someone That Happens |
content/chant-dechange | Antonia Hirsch and Olaf Nicolai: Chant d’Échange |
content/economies-of-common-infinitude | Patricia Reed: Economies of Common Infinitude |
content/intangible-economies-preface | Antonia Hirsch: Intangible Economies: Preface |
content/intangible-economies-an-introduction | Antonia Hirsch: Intangible Economies: An Introduction |
content/intangible-economies-forum-discussion | Intangible Economies: Forum Discussion |
content/the-penalty-for-perfidy | Maria Fusco: The Penalty for Perfidy |
content/worse-than-kenosis | Tirdad Zolghadr: Worse than Kenosis |
content/three-or-four-types-of-intimacy | Tom Morton: Three or Four Types of Intimacy |
content/a-tale-of-two-criticisms | Sven Lütticken: A Tale of Two Criticisms |
content/notes-on-the-demise-and-persistence-of-judgment | William Wood: Notes on the Demise and Persistence of Judgment |
content/say-who-i-am-or-a-broad-private-wink | Maria Fusco: Say Who I Am / Or a Broad Private Wink |
content/judgment-objecthood-temporality | Diedrich Diederichsen: Judgment, Objecthood, Temporality |
content/judgment-and-contemporary-art-criticism-afterword | James Elkins: Judgment and Contemporary Art Criticism: Afterword |
content/times-and-places-of-critique | Jeff Derksen: Times and Places of Critique |
content/between-the-question-mark-and-the-comma | Kristina Lee Podesva: Between the Question Mark and the Comma |
content/judgment-and-contemporary-art-criticism-preface | Jeff Khonsary and Melanie O'Brian: Judgment and Contemporary Art Criticism: Preface |
content/february-27-2009-keynote-address-tirdad-zolghadr | Judgment and Contemporary Art Criticism: Keynote |
content/judgment-and-contemporary-art-criticism-panel-one | Judgment and Contemporary Art Criticism: Panel One |
content/judgment-and-contemporary-art-criticism-panel-two | Judgment and Contemporary Art Criticism: Panel Two |
content/decapitalism-left-scarcity-and-the-state | Nina Power: Decapitalism, Left Scarcity, and the State |
content/speed-trials | Mohammad Salemy, Nick Srnicek, and Alex Williams: Speed Trials: A Conversation about Accelerationist Politics |
content/bullshit | Ken Becker: Not Just Some Canadian Hippie Bullshit: The Western Front as Artists’ Practice |
content/arriving-at-nowhere-reflecting-on-chris-krauss-radic... | Lois Klassen: Arriving at Nowhere: Reflecting on Chris Kraus’s Radical Localism |
content/social-networks-and-soft-crimes | Paul Branca and Jesi Khadivi: Social Networks and Soft Crimes |
content/elegy-of-the-non-event | Nathan Crompton: Elegy of the Non-event |
content/the-human-letter | Zanna Gilbert: The Human Letter: Mail Art Exchanges between East Berlin and Northeast Brazil in the 1970s |
content/battle-stances | Philip Monk: Battle Stances: General Idea, CEAC, and the Struggle for Ideological Dominance in Toronto, 1976–78 |
content/a-wicked-problem-fogo-island-dialogues | Melanie O'Brian: A Wicked Problem: Fogo Island Dialogues |
content/parachute-1975-2007-and-its-afterlife | Chantal Pontbriand and Amy Zion: Parachute: 1975–2007 and Its Afterlife |
content/a-long-road-turns | A Long Road Turns: On the Release of Fillip 20 |
content/having-been-held-under-the-sway | Zarouhie Abdalian, Aaron Harbour, and Jackie Im: Having Been Held Under the Sway |
content/scripting-misperformance-misperforming-scripts | Byron Peters and Jacob Wick: Scripting Misperformance, Misperforming Scripts |
content/institutions-of-regionalism | Christopher Régimbal: Institutions of Regionalism: Artist Collectivism in London, Ontario |
content/intimate-cacophonies-an-exchange-regarding-100-notes... | Bettina Funcke and Andrew Stefan Weiner: Intimate Cacophonies: An Exchange Regarding 100 Notes—100 Thoughts |
content/contradictions-and-paradoxes | Lene Berg and Jacob Wren: Contradictions and Paradoxes |
content/the-labour-of-abstraction | Matteo Pasquinelli: The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism |
content/some-uses-of-disenchantment | Martha Langford: Some Uses of Disenchantment: Vladimir Putin’s Staged Photography |
content/the-page-that-i-am | Ahmad Hosni: The Page that I Am |
content/the-question-of-interface | Alexander R. Galloway and Mohammad Salemy: The Question of Interface |
content/great-white-north | Vanessa Nicholas: Great White North |
content/colonizing-the-exhibition-space | Willem de Rooij and Anna-Sophie Springer: Colonizing the Exhibition Space |
content/the-concert-was-not-a-success | Chris Sharp: The Concert Was Not a Success: On the Withdrawal of Withdrawal |
content/tracing-creative-destruction | Matthew Buckingham and David Harvey: Tracing Creative Destruction |
content/and-the-future-remains-as-always-unknown-and-unpredi... | Bassam El Baroni and Hassan Khan: And the future remains, as always, unknown and unpredictable |
content/a-postscript-to-creative-destruction | Liz Park, Tim Saltarelli, and Kristina Scepanski: A Postscript to Creative Destruction |
content/events-called-schools | Oraib Toukan: Events-Called-Schools: Transcript from the International Academy of Art Palestine |
content/always-working-introduction | Gabrielle Moser: Always Working: Introduction |
content/the-making-of-labour-the-movie | Sven Lütticken: The Making of Labour: The Movie |
content/excerpts-from-solo-show | Natascha Sadr Haghighian: Excerpts from Solo Show |
content/in-conversation-natascha-sadr-haghighian-and-uwe-sch... | Natascha Sadr Haghighian: In Conversation: Natascha Sadr Haghighian and Uwe Schwarzer |
content/a-rare-and-chilling-view | Caren Kaplan: “A Rare and Chilling View”: Aerial Photography as Biopower in the Visual Culture of 9/11 |
content/imitation-of-life-biopolitics-and-the-cinematographi... | Maria Muhle: Imitation of Life: Biopolitics and the Cinematographic Image |
content/open-call-art-democracy-and-the-culture-of-consensus | David Geers: Open Call Art, Democracy, and the Culture of Consensus |
content/artmoreorless-the-early-performances-of-asco | Jesi Khadivi: Artmoreorless: The Early Performances of Asco |
content/tranquility-is-made-in-pictures | Mayssa Fattouh and Walid Sadek: Tranquility Is Made in Pictures |
content/el-instrumento-y-su-obra-on-luis-camnitzers-conceptu... | Renato Rodrigues da Silva: El Instrumento y Su Obra: On Luis Camnitzer’s Conceptualism |
content/documents-magazine-1992-2004 | Miwon Kwon: Documents Magazine 1992–2004: Part One, Miwon Kwon |
content/documents-magazine-1992-2004-part-two-helen-moleswor... | Helen Molesworth and Amy Zion: Documents Magazine 1992–2004: Part Two, Helen Molesworth |
content/the-right-to-share-the-public-archive | Ariella Azoulay and Elle Flanders: The Right to Share the Public Archive: A Conversation about Ariella Azoulay’s Different Wa... |
content/crises-and-coping-in-the-work-of-general-idea | Philip Monk: Crises (and Coping) in the Work of General Idea |
content/co-autonomous-ethics-and-the-production-of-misunders... | Patricia Reed: Co-autonomous Ethics and the Production of Misunderstanding |
content/no-more-than-a-backyard-on-a-small-island | Chris Cozier and Claire Tancons: No More than a Backyard on a Small Island |
content/the-masculine-mystique | Jon Davies: The Masculine Mystique |
content/stockhausen-at-ground-zero | Christian Hänggi: Stockhausen at Ground Zero |
content/smashing-windows-with-windows-transparency-design-an... | Jeff Khonsary and Metahaven: Smashing Windows with Windows: Transparency, Design, and WikiLeaks |
content/wikileaks-axis-of-reputation | Metahaven: WikiLeaks: Axis of Reputation |
content/exhaustive-images | Gabrielle Moser: Exhaustive Images : Surveillance, Sovereignty, and Subjectivity in Google Maps Street View |
content/bin-ladens-death-mask | Saul Anton: Bin Laden’s Death Mask |
content/apparatus-capture-trace-photography-and-biopolitics | Kate Steinmann: Apparatus, Capture, Trace: Photography and Biopolitics |
content/folding-money | Juan A. Gaitán: Folding Money |
content/parasitical-inhabitations-in-contemporary-art | Chris Fitzpatrick and Post Brothers: A Productive Irritant : Parasitical Inhabitations in Contemporary Art |
content/responses-to-on-further-reflection | Letters and Responses: Responses to On Further Reflection |
content/forward-looking | Christina Linden: Forward Looking (Apocalypse Now or Later) |
content/responses-to-recent-dutch-arts-cuts | Letters and Responses: Responses to the Recent Cuts to Arts Funding in the Netherlands |
content/the-encyclopedia-that-anyone-can-edit | Jeff Khonsary: The Encyclopedia That Anyone Can Edit |
content/living-in-the-loop | Diedrich Diederichsen: Living in the Loop |
content/upon-further-reflection | Reid Shier and Michael Turner: Upon Further Reflection |
content/ascetic-desire | Amy Zion: Ascetic Desire |
content/when-the-time-comes-you-wont-understand-the-battlefi... | Kristina Lee Podesva and Ryan Trecartin: When the time comes you won’t understand the battlefield |
content/camps-or-the-precarious-logic-of-late-modernity | Anthony Downey: Camps (or the Precarious Logic of Late Modernity) |
content/measures-of-an-exhibition | Carson Chan: Measures of an Exhibition: Space, Not Art, Is the Curator’s Primary Material |
content/producing-images-in-times-of-war | Haema Sivanesan: Producing Images in Times of War |
content/on-carnival-and-contractual-curating | Jesse McKee and Claire Tancons: On Carnival and Contractual Curating |
content/an-evidence-horizon | Lisa Marshall: An Evidence Horizon |
content/browsing-the-aaaarg-library | Jeff Khonsary: Browsing the AAAARG Library |
content/once-more-on-publicness-a-postscript-to-secret-publi... | Sven Lütticken: Once More on Publicness : A Postscript to Secret Publicity |
content/how-high-is-the-city-how-deep-is-our-love | Jeff Derksen: How High Is the City, How Deep Is Our Love |
content/agility-in-public | Lorna Brown and Anne Pasternak: Agility in Public |
content/riot-show-some-notes-on-the-archive | Julian Myers: Riot Show : Some Notes on the Archive |
content/when-the-levees-break | Kristina Lee Podesva: When the Levees Break |
content/translating-rubble-misreading-mark-manders | Kathleen Ritter: Translating Rubble: Misreading Mark Manders |
content/the-scan-and-the-export | Sean Dockray: The Scan and the Export |
content/art-and-the-network-of-networks | Eric Kluitenberg: Eclipse of the Spectacle : Art and the Network of Networks |
content/unresolved-and-unanswered-and-unspoken | Haris Epaminonda and Jacob Fabricius: Unresolved and Unanswered and Unspoken |
content/notes-toward-a-conversation-on-painting | Lawrence Rinder: Notes Toward a Conversation on Painting |
content/indirect-speech | Antonia Hirsch: Indirect Speech |
content/reading-mario-garca-torres-at-the-berkeley-art-museu... | Jamie Hilder: Reading Mario García Torres at the Berkeley Art Museum |
content/language-to-be-looked-at | Kim Dhillon: Language To Be Looked At |
content/crawl-and-trace | Liz Park: Crawl and Trace : Invisible Histories and the Project of Remembering |
content/an-impossible-map | Milena Tomic: An Impossible Map |
content/interdisciplinarity-and-participation-in-brazilian-a... | Renato Rodrigues da Silva: Interdisciplinarity & Participation in Contemporary Brazilian Art |
content/landscape-exhibitions-at-the-contemporary-art-galler... | Aaron Peck: Given without Guide: Landscape Exhibitions at the Contemporary Art Gallery |
content/sean-pauls-kammerspiel | Alex Kitnick: Sean Paul’s Kammerspiel |
content/frieds-turn | Arni Haraldsson: Fried’s Turn |
content/writing-in-the-work-of-susan-hiller | David Berridge: The Storyteller of Negative Space : Writing in the Work of Susan Hiller |
content/the-1984-miss-general-idea-pavilion | Gabrielle Moser: Exhibition-Making with Ghosts: The 1984 Miss General Idea Pavilion |
content/a-manual-for-the-discrete-and-the-continuous | Kate Armstrong: A Manual for the Discrete and the Continuous |
content/carte-grise | Rosemary Donegan and John O’Brian: Working Title |
content/re-fictions | Maria Fusco and Joseph Mosconi: Re: Fictions |
content/re-the-dialogical | Irene Loughlin and Johan Lundh: Re: The Dialogical |
content/re-democracy-and-the-demos | Lawrence Rinder and Shepherd Steiner: Re: Democracy and the Demos |
content/re-documentary-practices | Fionn Meade and Jayce Salloum: Re: Documentary Practices |
content/re-the-serving-library | Dexter Sinister and Eric Fredericksen: Re: The Serving Library |
content/re-work-and-boredom | Lorna Brown and Matthew Stadler: Re: Work and Boredom |
content/re-democracy-economy-and-power | Christian Hillesø, Kate Steinmann, and Johan Tirén: Re: Democracy, Economy, and Power |
content/re-participation | David Goldenberg and Markus Miessen: Re: Participation |
content/boolean-searches-in-the-martha-rosler-library | Shepherd Steiner: Other Uses: Boolean Searches in the Martha Rosler Library |
content/a-spectrum-of-difference | Randy Lee Cutler: A Spectrum of Difference |
content/vancouver-from-the-outside-in-part-two | Dan Graham and Cliff Lauson: Vancouver from the Outside In: Part Two |
content/althea-thaubergers-carrall-street | Joni Murphy: Althea Thauberger's Carrall Street |
content/if-you-arent-mad-as-hell-you-havent-been-paying-atte... | Lea Feinstein and Christian L. Frock: If You Aren't Mad as Hell You Haven't Been Paying Attention |
content/wait-to-wait | Boris Groys and Andro Wekua: Wait to Wait |
content/how-did-pop-music-become-ubiquitous | Diedrich Diederichsen: Water Versus Objects: Reproduction or Dissemination, or How Did Pop Music Become Ubiquitous? |
content/best-case-scenario | Steve Lambert: Best Case Scenario |
content/screens-of-film-video-memory-and-smoke | Ana Balona de Oliveira: Screens of Film, Video, Memory, and Smoke |
content/from-yosemite-to-the-group-of-seven | Maegan Hill-Carroll: From Yosemite to the Group of Seven, with Some Flatness in Between |
content/lightly-illegal | Molly Dilworth: Lightly Illegal: A Letter from the Most Elegant Public Bathroom in Southeast Portland |
content/sunshine-daydream-maerdyad-enihsnus | Cranfield and Slade: Sunshine Daydream/Maerdyad Enihsnus |
content/fillip-9-index | Marisa Jahn: Fillip Index |
content/visages-faux | Mariana Castillo Deball: Visages Faux |
content/fillip-8-index | Julia Meltzer & David Thorne: Fillip Index |
content/pantheon-of-broken-men-and-women | Slavs and Tatars: Pantheon of Broken Men and Women |
content/have-you-seen-this-kitten | Ron Terada: Have You Seen This Kitten? |
content/just-here-to-help-global-art-production-and-local-me... | Matthew Stadler: Just Here to Help: Global Art Production and Local Meanings |
content/rebuilding-the-pantheon | Ingrid Chu and Slavs and Tatars: Rebuilding the Pantheon |
content/the-ongoing-significance-of-steel-and-flesh | Jeremy Todd: Looking Glass Noir and the Ongoing Significance of Steel and Flesh |
content/looking-back-on-the-history-of-chinese-contemporary-... | Joni Low: The Second Situation: Looking Back on the History of Chinese Contemporary Art |
content/what-is-a-participatory-practice | David Goldenberg and Patricia Reed: What Is a Participatory Practice? |
content/thwarting-the-royal-road | Alison Rajah: Thwarting the Royal Road |
content/hold-this-thread-while-i-walk-away | Tyler Russell: Hold this Thread While I Walk Away |
content/living-the-image-looking-at-yam-laus-scapeland | David Court: Living the Image: Looking at Yam Lau’s Scapeland |
content/art-about-life-is-better-than-art-about-art | Emily Vey Duke: Art about Life Is Better than Art about Art |
content/i-dream-of-drella | Joseph Mosconi: I Dream of Drella |
content/re-staging-the-labyrinth | Mark Clintberg: Re: Staging the Labyrinth |
content/oh-inverted-world | Fionn Meade: Oh, Inverted World |
content/untitled-behold-i-show-you-a-mystery | Paul Chan: Untitled (Behold, I show you a mystery) |
content/that-thinking-feeling | Juan A. Gaitán: That Thinking Feeling |
content/partial-recall | Alex Kitnick: Partial Recall |
content/from-the-hip | Joseph del Pesco: From the Hip |
content/smooth-space-provisions | Charo Neville: Smooth Space Provisions: Multiple Voices in Curating |
content/its-interesting-that-you-with-your-values | Willie Brisco, Liam Gillick, and Danna Vajda: It’s Interesting that You, with Your Values, Would Ask Me a Question Like This |
content/chained-melody | Teresa Steel: Chained Melody |
content/psychedelia-and-the-site-of-cinema- | Jacob Korczynski: Psychedelia and the Site of Cinema |
content/the-violence-of-participation | Markus Miessen: The Violence of Participation: Spatial Practices Beyond Models of Consensus |
content/to-a-from-z | Andrew Berardini: To A From Z |
content/vancouver-from-the-outside-in-part-one | Cliff Lauson and Lawrence Weiner: Vancouver from the Outside In: Part One |
content/where-art-meets-design | Lisa Marshall: Where Art Meets Design |
content/collective-conscious | Johan Lundh: Collective Conscious |
content/drawing-of-a-history-of-world-war-one | Kristan Horton: Drawing of a History of World War One |
content/vasif-kortun-istanbul-qua-istanbul | Vasif Kortun and Matthew Schum: Vasif Kortun: Istanbul qua Istanbul |
content/find-us-at-the-kitchen-door-at-unitednationsplaza | Hadley+Maxwell: (Find us at the kitchen door) at unitednationsplaza |
content/those-who-claim-that-superman-is-not-clark-kent | Maria Fusco: There is little respect for those who claim that Superman is not Clark Kent: Fiction, Criticism, and the Art of Ant... |
content/dont-take-any-jobs | Matthew Stadler: Don't Take Any Jobs |
content/reading-notes-for-dont-take-any-jobs | Matthew Stadler: Reading Notes for Don't Take Any Jobs |
content/from-notes-from-the-center-on-public-policy | Mark Wallace: From "Notes from the Center on Public Policy" |
content/beneath-the-hotel-the-beach | François Perrin: Beneath the Hotel, the Beach |
content/a-pedagogical-turn | Kristina Lee Podesva: A Pedagogical Turn: Brief Notes on Education as Art |
content/the-sentence-is-the-page-number | Micah Lexier: The Sentence is the Page Number |
content/basin-climbing | Piero Golia and Eric Wesley: Basin Climbing: An Interview with Mountain School of Arts |
content/if-you-build-it-they-will-come | Aaron Peck: If You Build It, They Will Come |
content/taking-down-the-names-of-the-anonymous-movement | Michael Eddy: Taking Down the Names of the Anonymous Movement |
content/welcome-to-the-wild-east | Kathleen Ritter: Welcome to the Wild East |
content/the-day-after | Robert Eikmeyer and Slavoj Žižek: The Day After: An Interview with Slavoj Zizek |
content/from-starry-eyed-vision-to-nail | Christian L. Frock: From (Starry Eyed) Vision to Nail |
content/the-absent-enthusiast | Jesse Birch and Nicholas Brown: The Absent Enthusiast |
content/body-doubles | Nate Lippens: Body Doubles |
content/appealing-biography | Joseph Mosconi: Appealing Biography |
content/there-is-a-horizon | Colleen Brown: There Is a Horizon |
content/invasion-of-the-cybernetic-hand-and-other-predicamen... | Sara Mameni: Invasion of the Cybernetic Hand and Other Predicaments |
content/having-hired-a-design-team-the-bad-slept-well | Liz Bruchet: Having Hired a Design Team, the Bad Slept Well |
content/impossibility-of-an-island | Clint Burnham: Impossibility of an Island |
content/hand-in-invisible-hand | Jordan Strom: Hand in (Invisible) Hand: An Editorial |
content/marked-as-withdrawn | Cheryl Meszaros: Marked as Withdrawn |
content/against-stasis | Patrik Andersson: Against Stasis |
content/sink-and-swim | Jordan Strom: Sink and Swim: An Editorial |
content/new-museum-of-modern-contemporary-art | Rebecca Lane: "New" Museum of Modern (Contemporary) Art |
content/ulterior-garden-motifs | Fionn Meade: Ulterior Garden Motifs |
content/dialogue-distance | Warren Arcan: Dialogue & Distance |
content/art-of-the-state | Luis Camnitzer: Art of the State |
content/feldmanns-tact | Christopher Brayshaw: Feldmann’s Tact |
content/time-space-in-a-biennial-for-chechnya | Kristina Lee Podesva: Time & Space in a Biennial for Chechnya |
content/your-utopia-is-ours | Cao Fei and Jordan Strom: Your Utopia Is Ours |
content/offensive-art | Susanna Haddon: Offensive Art |
content/inside-out | Caroline Busta: Inside Out |
content/notes-on-the-politics-of-aesthetics | Eli Bornowsky: Notes on the Politics of Aesthetics |
content/mark-lewis-moving-pictures | Adam Harrison: Mark Lewis’ Moving Pictures |
content/on-second-thought | Antonia Hirsch and Melanie O'Brian: On Second Thought: Looking Back at the 4th Berlin Biennial |
content/lettre-de-paris | Colin Browne: Lettre de Paris |
content/secret-svengali | Zoë Gray: Secret Svengali |
content/iterations-of-general-practitioner | Robert Kleyn and Jordan Strom: Iterations of a General Practitioner: An Interview with Robert Kleyn |
content/conversationally-arresting | Irene Loughlin: Conversationally Arresting: Ethics, Empathy, and Identification |
content/affirmations-and-refusals | Cliff Lauson: Affirmations and Refusals |
content/tower-ghosts-and-swing-shifts | Jessie Caryl: Tower Ghosts and Swing Shifts |
content/the-state-of-refuge-in-vancouver | Anne Lesley Selcer: The State of Refuge in Vancouver |
content/work-in-progress | Jordan Strom: Work in Progress? |
content/through-a-mirror-darkly | Randy Lee Cutler: Through a Mirror, Darkly |
content/fetishism-curiosity-and-the-work-of-brian-jungen | Kimberly Phillips: Fetishism, Curiosity, and the Work of Brian Jungen |
content/the-ghost-whisperer | Peter Culley: The Ghost Whisperer: Myfanwy's Time in the Woods |
content/reiterative-revolution | Lisa Coultard: Reiterative Revolution |
content/surface-no-support | Robert Linsley: Surface, No Support |
content/catastrophic-narratives | Lance Blomgren: Catastrophic Narratives |
content/now-we-collect-situations | Lindsay Brown: Now We Collect Situations |
content/to-live-real-boredom-one-must-have-style | Lorna Brown: To Live Real Boredom, One Must Have Style |
content/by-all-means-listen-by-all-means | Brady Cranfield: By All Means Listen By All Means: Reading Aural Cultures |
content/the-long-march-project | Lu Jie: The Long March Project |
content/the-number-one-galleries-in-the-number-one-city | Seamus Kealy: The Number One Galleries in the Number One City |
content/the-bondo-between-word-and-image | Donato Mancini: The Bondo Between Word and Image |
content/derridas-garden | Eleanor Morgan: Derrida's Garden |
content/farm-arugula-with-figs | Aaron Peck: Farm Arugula with Figs: Bay Area Bazaar, The RED and the GREEN, and Ripe Family Supper |
content/termini | Andrew Power: Termini |
content/remain-in-life | Lawrence Rinder: Remain in Life |
content/departures-from-death | Monika Szewczyk: Departures from Death |
content/where-world-view-and-world-lines-converge | Shepherd Steiner: Where World View and World Lines Converge |
content/fillipics | Jordan Strom: Fillipics |
content/the-relational-meme | Colleen Brown: The Relational Meme |
content/no-art-after-pickton | Clint Burnham: No Art After Pickton |
content/someone-cares | Antonia Hirsch: Someone Cares |
content/as-the-hammer-strikes | Marina Roy: As the Hammer Strikes |
content/sans-titre-untitled | Jayce Salloum: sans titre/untitled |
content/strains-of-thought-in-antonia-hirschs-world-map-proj... | Monika Szewczyk: Strains of thought in Antonia Hirsch's World Map Project |
content/free-pussy-riot | Free Pussy Riot |
content/shadows-and-blind-spots | Kathy Mezei: Shadows and Blind Spots : Viewing the Domestic Interior |
content/between-the-scaffold-and-the-ruin | Berin Golonu and Ahmet Öğüt: Between the Scaffold and the Ruin: Ahmet Öğüt’s Exploded City |
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[Querying whois.cira.ca]
[whois.cira.ca]
Domain name: fillip.ca
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Updated date: 2012/05/20
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