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JOHN MEYER | Works | Everard Read - Cape Town
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Meyer is regarded as the leading figure in the Hyper-Realist movement in Southern Africa. Decidedly contemporary in his unique vision and a proponent of modernism in all its guises, Meyer has a considered commitment to representational painting. Concerned with the complexities of visual perception and their solutions, his paintings are not mere representations of existing places and things, but exist as indelible retrospection, like total recall.
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Внешние ссылки главной страницы ( 7 ) | |
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Внутренние ссылки главной страницы ( 175 ) | |
/ | <img> |
/exhibitions | See All Exhibitions > |
/exhibition/243/ | IN CONVERSATION |
/exhibition/239/ | LUCY JANE TURPIN: Vago |
/exhibition/241/ | WINTER |
/exhibition/240/ | HANIEN CONRADIE: Spoorloos |
/exhibition/242/ | GUY DU TOIT: On a Roll |
/exhibition/232/ | FAITH XLVII: CHANT |
/exhibition/237/ | DYLAN LEWIS: Apex |
/exhibition/235/ | SHANY VAN DEN BERG: Nōs / Us |
/exhibition/236/ | NELSON MAKAMO: Human Grace |
/exhibition/230/ | BEEZY BAILEY: The Love Revolution |
/exhibition/234/ | BRETT CHARLES SEILER: Timber |
/exhibition/229/ | CUBICLE Series January 2021 |
/exhibition/227/ | SUMMER |
/exhibition/224/ | NEILL WRIGHT: To Anywhere and Nowhere |
/exhibition/226/ | SASHA HARTSLIEF: Patterns of Light |
/exhibition/222/ | LADY SKOLLIE: Bound |
/exhibition/223/ | BARBARA WILDENBOER: SUPER/NATURAL |
/exhibition/225/ | WARTHER DIXON: Equanimity |
/exhibition/220/ | ODYSSEY |
/exhibition/217/ | IO MAKANDAL: Terra Visions |
/exhibition/218/ | RICKY DYALOYI: Limits of Our Longing |
/exhibition/212/ | ERIN CHAPLIN: Path through mountain |
/exhibition/213/ | LEE-ANN HEATH: Delicious Deliverance |
/exhibition/215/ | KATE ARTHUR: MIDLAND |
/exhibition/216/ | ELSABÉ MILANDRI: Our Mutual Coordinates |
/exhibition/211/ | SWAIN HOOGERVORST: In Between Spaces |
/exhibition/214/ | SIPHO MABONA: Fading to White |
/exhibition/210/ | LIZA GROBLER: Voices From A Divided Fountain |
/exhibition/209/ | CUBICLE Series August 2020 |
/exhibition/206/ | WILMA CRUISE: 1984: Fight or Flight? Apocalypse Now |
/exhibition/208/ | STILL |
/exhibition/207/ | ARCOlisboa 2020 Online |
/exhibition/205/ | LIONEL SMIT: Verso |
/exhibition/204/ | US |
/exhibition/202/ | (Postponed) ANGUS TAYLOR: Quarried Consciousness |
/exhibition/203/ | STARING STRAIGHT TO THE FUTURE |
/exhibition/201/ | COVID-19: Gallery Closed |
/exhibition/199/ | BLESSING NGOBENI: Replica Ever Sang |
/exhibition/200/ | ANDRZEJ URBANSKI: A04 3684/618/20 |
/exhibition/196/ | DYLAN LEWIS: CHTHONIOS |
/exhibition/195/ | NIC BLADEN: Proteaceae |
/exhibition/197/ | Cape Town Art Fair 2020 |
/exhibition/194/ | CUBICLE Series January 2020 |
/exhibition/192/ | SUMMER |
/exhibition/190/ | CONTEXT Art Miami |
/exhibition/188/ | PHILIP BARLOW: between broadway and 42nd |
/exhibition/189/ | LUCINDA MUDGE: Love Story |
/exhibition/187/ | WARTHER DIXON: The Space Between Us |
/exhibition/186/ | LIZA GROBLER: a rainbow in my pocket |
/exhibition/183/ | RECENT WORKS by William Peers |
/exhibition/184/ | TANYA POOLE: Ancient Codes |
/exhibition/180/ | CUBICLE Series August 2019 |
/exhibition/174/ | GAIL CATLIN: Catlin at 71 |
/exhibition/176/ | WINTER 2019 |
/exhibition/170/ | CUBICLE Series May 2019 |
/exhibition/167/ | LORIENNE LOTZ: Stru's Bob |
/exhibition/168/ | LOUISE MASON: Unravel |
/exhibition/166/ | PENELOPE STUTTERHEIME: Mapping |
/exhibition/165/ | CHIBUIKE UZOMA: Walk on Water |
/exhibition/164/ | DEBORAH BELL: Enthroned |
/exhibition/162/ | BRETT MURRAY: Hide |
/exhibition/161/ | SPEELMAN MAHLANGU |
/exhibition/163/ | Cape Town Art Fair 2019 |
/exhibition/157/ | DANIEL NAUDÉ: A Decade of Seeing |
/exhibition/158/ | VUSI KHUMALO: 20 Years On |
/exhibition/159/ | SUMMER |
/exhibition/160/ | DAVID J. BROWN: Zoo |
/exhibition/156/ | MICHAEL MACGARRY: A coarse sorting of the readily available |
/exhibition/154/ | PHILLEMON HLUNGWANI: Nwansati wa matimba a nga heli mongo |
/exhibition/155/ | BETH DIANE ARMSTONG: in perpetuum |
/exhibition/151/ | MATTHEW HINDLEY: The Divided Self |
/exhibition/153/ | EMALIE BINGHAM: Unimagining |
/exhibition/149/ | CARYN SCRIMGEOUR: My Borrowed Life |
/exhibition/150/ | NICK BOTTING: A Sense of Place |
/exhibition/146/ | COLBERT MASHILE: Who Feels It, Knows It |
/exhibition/147/ | RICKY DYALOYI: A Paradox of Our Times |
/exhibition/145/ | Snaps: The photographs of Daniel 'Kgomo' Morolong |
/exhibition/148/ | iThongo Lam |
/exhibition/143/ | SASHA HARTSLIEF: Interiors |
/exhibition/144/ | WAYNE BARKER: Drum |
/exhibition/142/ | Cubicle |
/exhibition/141/ | MMAKGABO HELEN SEBIDI: Tears of Africa |
/exhibition/137/ | JO O'CONNOR: An Interlude |
/exhibition/138/ | WINTER |
/exhibition/135/ | NIGEL MULLINS: Glorious Order |
/exhibition/136/ | GALIA GLUCKMAN: ora(edge) |
/exhibition/134/ | LIBERTY BATTSON: Dada data - A 100 year celebration of Abstraction |
/exhibition/133/ | nomThunzi Mashalaba: Me Without My Shadow, My Shadow Without Me |
/exhibition/132/ | ARP | ELENA GIUSTOZZI & CATERINA SILVA: Finite / Infinite |
/exhibition/131/ | NELSON MAKAMO: The Re-Awakening |
/exhibition/130/ | JORDAN SWEKE: The Eternal Death |
/exhibition/128/ | BLESSING NGOBENI: Enemy of Foe |
/exhibition/129/ | Cape Town Art Fair 2018 |
/exhibition/127/ | Cubicle |
/exhibition/125/ | PEOPLE AND PORTRAITURE |
/exhibition/126/ | SUMMER |
/exhibition/122/ | ANGUS TAYLOR: In The Middle Of It |
/exhibition/123/ | PHILIP BARLOW: still motion |
/exhibition/124/ | RICHARD PENN: No Signal |
/exhibition/118/ | TANYA POOLE: The Island |
/exhibition/120/ | SHANY VAN DEN BERG: (in)filtration of time |
/exhibition/119/ | DISLOCATION |
/exhibition/112/ | ANDRZEJ URBANSKI: AB01 1703/620/17 |
/exhibition/110/ | Cubicle Series |
/exhibition/107/ | @ Franschhoek - Deborah Bell - Recent Paintings and Sculpture |
/exhibition/109/ | SMOKEY SIGNALS FROM THE GROOT KAROO |
/exhibition/104/ | LUCINDA MUDGE: Pixel Vases |
/exhibition/105/ | JOHN MEYER: A Collection of Major Works from Private Collections |
/exhibition/106/ | WINTER COLLECTION: Group Exhibition |
/exhibition/96/ | SWAIN HOOGERVORST: Searching Eudaimonia |
/exhibition/93/ | LOUIS OLIVIER: 100 Generations of Soil |
/exhibition/95/ | BARBARA WILDENBOER: The Invisible Gardener |
/exhibition/91/ | COLBERT MASHILE: Truth or Dare |
/exhibition/89/ | LUAN NEL: Diction |
/exhibition/90/ | LIZA GROBLER: Maybe Time Can Fold |
/exhibition/88/ | ROBERT SLINGSBY: Great Rift - Everard Read Franschhoek |
/exhibition/86/ | DENBY MEYER: Observations |
/exhibition/87/ | VALENTINA COLELLA: Learning Cape Town |
/exhibition/84/ | LIONEL SMIT: Premise |
/exhibition/81/ | BRONWYN LACE: Bred in the Bone |
/exhibition/80/ | THANIA PETERSEN: Remnants |
/exhibition/79/ | Hardline |
/exhibition/76/ | Cubicle Series |
/exhibition/70/ | Reality Check |
/exhibition/57/ | BEEZY BAILEY: 1000 Year Dance Cure |
/exhibition/58/ | LIBERTY BATTSON: I Bet You Wish You Did This |
/exhibition/52/ | Material City |
/exhibition/49/ | Nocturne |
/exhibition/46/ | Surface/Subtext |
/exhibition/36/ | Winter Collection |
/exhibition/35/ | SYNDI KAHN: Glissando |
/exhibition/33/ | PAOLO BINI: Al Di Là Del Quadro / Beyond the Painting |
/exhibition/30/ | SASHA HARTSLIEF: New Works |
/exhibition/34/ | Pastoral Abstraction |
/exhibition/16/ | NIGEL MULLINS: Retrogressive Propaganda |
/exhibition/14/ | The World that Changed the Image |
/exhibition/12/ | Summer in the City |
/exhibition/13/ | @Play |
/artists | ARTISTS |
/news | NEWS |
/publications | PUBLICATIONS |
/gallery | ABOUT |
/contact | CONTACT |
/artist/JOHN_MEYER/works/ | Works |
/artist/JOHN_MEYER/exhibitions/ | Exhibitions |
/artist/JOHN_MEYER/biography/ | Biography |
?page=1 | 1 |
?page=2 | Next |
?view_all=1 | View All |
/artist/JOHN_MEYER/works/3217 | THE WIND FROM THE SEA (20321) |
/artist/JOHN_MEYER/works/3216 | TOWARDS THE KOMPASBERG (20821) |
/artist/JOHN_MEYER/works/2669 | ENDLESS NIGHTS |
/artist/JOHN_MEYER/works/2748 | NIGHT SHIFT (20620) |
/artist/JOHN_MEYER/works/2934 | ORIGINS (21220) |
/artist/JOHN_MEYER/works/1576 | THE SITUATION 20417 |
/artist/JOHN_MEYER/works/128 | Call of the Night |
/artist/JOHN_MEYER/works/132 | The Day of the Kingfisher |
/artist/JOHN_MEYER/works/129 | Close to Me |
/artist/JOHN_MEYER/works/130 | In a Past Province |
/artist/JOHN_MEYER/works/1570 | CG HULLE 2259 |
/artist/JOHN_MEYER/works/1571 | DREAMS OF THE CITY 2568 |
/artist/JOHN_MEYER/works/1572 | IF ONLY I HAD KNOWN 2548 |
/artist/JOHN_MEYER/works/1574 | NIGHT MEMORIES I, II,III |
/artist/JOHN_MEYER/works/1575 | SLIPPING AWAY I,II,III (2636, 2646, 2656) |
/artist/JOHN_MEYER/works/1577 | THE TEST (2036) |
/artist/JOHN_MEYER/works/1046 | Ambivalence II |
/artist/JOHN_MEYER/works/1047 | Ambivalence IV |
/artist/JOHN_MEYER/works/1048 | Ambivalence V |
/artist/JOHN_MEYER/works/1573 | NEAR THE SWARTBERG PASS 2384 |
/artist/JOHN_MEYER/works/2337 | THE INTERVIEW 22.80 |
/artist/JOHN_MEYER/works/123 | A Dream of You |
/artist/JOHN_MEYER/works/124 | A Lost Moon |
/artist/JOHN_MEYER/works/125 | A Memory of May |
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