Возраст домена | 26 лет |
Дата окончания | Через 9 месяцев |
PR | 4 |
ИКС | 0 |
Страниц в Google | 417 |
Страниц в Яндексе | 85 |
Dmoz | Да |
Яндекс Каталог | Нет |
Alexa Traffic Rank | 6998827 |
Alexa Country | Нет данных |
История изменения показателей | Авторизация |
MEIEA
n/a
Music and Entertainment industry Educators Association
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8 357 симв.
Данные предоставлены сервисом semrush
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wikipedia.org | 23 | 9 |
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berklee.edu | 16 | 6 |
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facebook.com | 16 | 9 |
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miami.edu | 12 | 7 |
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belmont.edu | 12 | 6 |
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about.com | 11 | 7 |
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ucdenver.edu | 11 | 7 |
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yahoo.com | 10 | 9 |
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Еще 40 сайтов после авторизации |
Данные предоставлены сервисом semrush
Данные linkpad ( 30 Августа 2012 ) | |
Количество ссылок на сайт | 39 |
Количество доменов, которые ссылаются на сайт | 15 |
Количество найденных анкоров | 12 |
Исходящие (внешние) ссылки домена | 138 |
Количество доменов, на которые ссылается сайт | 109 |
Количество исходящих анкоров | 98 |
Внешние ссылки главной страницы ( 9 ) | |
facebook.com/groups/530369290347184 | - |
linkedin.com/groups?about=&gid=1873722 | - |
youtube.com/user/meiea | - |
embassysuites.hilton.com/en/es/groups/personalized/W/WASCHES... | Embassy Suites by Hilton Washington DC Chevy Chase Pavilion |
belmont.edu/curb/ | <img> |
soundexchange.com | <img> |
musicbiz.org | <img> |
belmont.edu/cemb/index.html | <img> |
wildapricot.com | Wild Apricot |
Внутренние ссылки главной страницы ( 200 ) | |
meiea.org/Sys/ResetPasswordRequest | Forgot password |
meiea.org/ | Home |
meiea.org/about | About |
meiea.org/board | Board of Directors |
meiea.org/member_schools | Member Schools |
meiea.org/governance | Governance |
meiea.org/bylaws | Bylaws |
meiea.org/policies-and-procedures | Policies and Procedures |
meiea.org/Board-Member-Responsibilities | Board Member Responsibilities |
meiea.org/elections-and-voting | Elections and Voting |
meiea.org/Process-Forms | Process Forms |
meiea.org/meisa | MEISA |
meiea.org/financial_information | Financial Information |
meiea.org/meeting_minutes | Meeting Minutes |
meiea.org/plans-and-reports | Plans and Reports |
meiea.org/Member_Statistics | Member Statistics (2014) |
meiea.org/2014-Reporting-Institutions | 2014 Reporting Institutions |
meiea.org/Strategic-Plan | Strategic Plan (2009-10) |
meiea.org/Strategic-Plan-2005-06 | Strategic Plan (2005-06) |
meiea.org/Branding-Action-Plan | Branding Action Plan (2006) |
meiea.org/Members-Strategic-Survey-Report | Members' Strategic Survey Report (2005) |
meiea.org/journal | Journal |
meiea.org/page-1852340 | Current Issue |
meiea.org/past_issues | Past Issues |
meiea.org/page-1852115 | Volume 16-19 |
meiea.org/Volume-19 | Volume 19 (2019) |
meiea.org/Journal/Vol19/Elton | Mechanical Licensing Before and After the Music Modernization Act |
meiea.org/Journal/Vol19/Guthrie | America’s First Unprofessional Songwriter: |
meiea.org/Journal/Vol19/Kelman_Cashman | Industry-Based Popular Music Education: |
meiea.org/Journal/Vol19/Rothschild | How Marketing Professionals Use and Staff Social Media in Entertainment and Event Venues |
meiea.org/Journal/Vol19/Tompkins | An Artist Management Practicum: |
meiea.org/Journal/Vol19/Renard_Gretz | Music, Death, and Profits: |
meiea.org/Journal/Vol19/Reviews | Reviews |
meiea.org/Volume-18 | Volume 18 (2018) |
meiea.org/Journal/Vol18/Reali | “Guided by Commercial Motives”: Selling Songwriting |
meiea.org/Journal/Vol18/Herzig | Key Learnings from an International Social Entrepreneurship Collaboration: |
meiea.org/Journal/Vol18/Young | A Work of Art in the Age of Technological Disruption: |
meiea.org/Journal/Vol18/Darias | Content ID as a Solution to Address the Value Gap |
meiea.org/Journal/Vol18/Renard | Mapping Music Cities: |
meiea.org/Journal/Vol18/Vincent | Local Minimum Content Requirements on Commercial Radio: |
meiea.org/Journal/Vol18/Reviews | Reviews |
meiea.org/Volume-17 | Volume 17 (2017) |
meiea.org/Journal/Vol17/Herrera | Parasocial Engagement for Musicians and Artists: |
meiea.org/Journal/Vol17/Schreiber | A “Chance” of Success: The Influence of Subcultural Capital |
meiea.org/Journal/Vol17/Jones | Practical Production Analysis: |
meiea.org/Journal/Vol17/Tough | An Analysis of Common Songwriting and Production Practices in 2014-2015 Billboard Hot 100 Songs |
meiea.org/Journal/Vol17/Bogdan | Business Sense Arrow Straight: An Examination of Brand Community |
meiea.org/Journal/Vol17/Reviews | Reviews |
meiea.org/Volume-16 | Volume 16 (2016) |
meiea.org/Journal/Vol16/Ashdown | Designing A Transmedia Entertainment Business Management Curriculum |
meiea.org/Journal/Vol16/Christensen_Shaomian | Overcoming Common Administrative Obstacles That Hinder Student Learning |
meiea.org/Journal/Vol16/Kopplin | Best Practices in Music Industry Education |
meiea.org/Journal/Vol16/Guthrie | Taking The Liberty: Toward a Theory of Copyright and Creativity |
meiea.org/Journal/Vol16/Linden | Insistency: A New Methodology for Lyrical Analysis |
meiea.org/Journal/Vol16/Reviews | Reviews |
meiea.org/Vols-11-15 | Volumes 11-15 |
meiea.org/Volume-15 | Volume 15 (2015) |
meiea.org/Journal/Vol15/Shaomian_Heere | The Path to Loyalty Among Theater Patrons: |
meiea.org/Journal/Vol15/Philp | Failures From The Beatles’ Self-Managed Era and Lessons for Today’s DIY Musicians |
meiea.org/Journal/Vol15/Kopplin | Blue Note Records: A Singular Business Model |
meiea.org/Journal/Vol15/Linden | Entrepreneurship: Theory and Application in a University Arts Management Setting |
meiea.org/Journal/Vol15/Bruenger | Complexity, Adaptive Expertise, and Conceptual Models in the Music Business Curriculum |
meiea.org/Journal/Vol15/Herrera | The Record Company as a Learning Structure: Identifying Performance and Learning Inhibitors |
meiea.org/Journal/Vol15/Kelman | An Entrepreneurial Music Industry Education in Secondary Schooling: |
meiea.org/Journal/Vol15/Anderson | Can Global Release Day Reduce Piracy? |
meiea.org/Journal/Vol15/Reviews | Reviews |
meiea.org/Volume-14 | Volume 14 (2014) |
meiea.org/Journal/Vol14/White_Preston | Concert Promotion Centralization and the Artist Management Response: 1990s-2010s |
meiea.org/Journal/Vol14/Gloor | Songs As Branding Platforms? |
meiea.org/Journal/Vol14/Baloyi | The Protection and Licensing of Music Rights in Sub-Saharan Africa: Challenges and Opportunities |
meiea.org/Journal/Vol14/Elton | A Survey of Graduated Response Programs to Combat Online Piracy |
meiea.org/Journal/Vol14/Kemmerer | Rigor, Grades, Support, and the Amount of Time Students Spend Outside of Class: |
meiea.org/Journal/Vol14/Hatschek_Wells | Developing Information Literacy Skills for Tomorrow’s Music Industry Leaders |
meiea.org/Journal/Vol14/Herzig_Baker | Beyond Jamming: A Historical and Analytical Perspective on the Creative Process |
meiea.org/Journal/Vol14/Philp | Get Classy: Comparing the Massive Marketing |
meiea.org/Journal/Vol14/Rothschild | Authors Influencing Others to Follow: |
meiea.org/Journal/Vol14/Guthrie | Economy of the Ether: Early Radio History and the Commodification of Music |
meiea.org/Journal/Vol14/Reviews | Reviews |
meiea.org/Volume-13 | Volume 13 (2013) |
meiea.org/Journal/Vol13/Saintilan | The Three Tenors Antitrust Case: What Did We Learn? |
meiea.org/Journal/Vol13/Buff_Alhadeff | Budgeting for Crowdfunding Rewards |
meiea.org/Journal/Vol13/Kellogg | The Urbanization of the Billboard Top Album and Singles Charts: |
meiea.org/Journal/Vol13/Fowler_Fowler_Hicks | A Historical Investigation of Patterns in Sophomore Album Release |
meiea.org/Journal/Vol13/Linden | Malcolm Chisholm: An Evaluation of Traditional Audio Engineering |
meiea.org/Journal/Vol13/Tough | Teaching Modern Production and Songwriting Techniques: |
meiea.org/Journal/Vol13/Randle_Evans | So What Does “Set Fire To The Rain” Really Mean? |
meiea.org/Journal/Vol13/Renard_Faulk_Goodrich | Network Perspectives on the Relevance of New Revenue Streams in the Digital Era Music Industry |
meiea.org/Journal/Vol13/Preston | State Tax Incentives and the Motion Picture Industry |
meiea.org/Journal/Vol13/Swanson | A Case Study on Spotify: |
meiea.org/Journal/Vol13/Reviews | Reviews |
meiea.org/Volume-12 | Volume 12 (2012) |
meiea.org/Journal/Vol12/Sanchez | Unfair? The Unique Status of Sound Recordings |
meiea.org/Journal/Vol12/Linden | Race, Hegemony, and the Birth of Rock & Roll |
meiea.org/Journal/Vol12/Bordowitz | The 1969 Creedence Clearwater Revival Recording Contract |
meiea.org/Journal/Vol12/Renard_Goodrich_Fellman | Historical Changes in the Music Industry Supply Chain: |
meiea.org/Journal/Vol12/Johnson | What’s Up with MXSups? |
meiea.org/Journal/Vol12/Gloor | Artists’ Chart Careers: |
meiea.org/Journal/Vol12/Rothschild_van_Kluyve | EntertainmentManagementOnline.com: |
meiea.org/Journal/Vol12/Slay | Slaying the Starving Artist Paradigm |
meiea.org/Journal/Vol12/Tough | A Focus on Robert Gagné’s Instructional Theories: |
meiea.org/Journal/Vol12/Perice | Music Entrepreneurs in the Twenty-First Century: |
meiea.org/Journal/Vol12/Reviews | Reviews |
meiea.org/Volume-11 | Volume 11 (2011) |
meiea.org/Journal/Vol11/Elton | The Origins of Mechanical Licensing of Musical Compositions |
meiea.org/Journal/Vol11/Fowler_Fowler | A Quantitative Analysis of Entertainment Consumption: 1984-2009 |
meiea.org/Journal/Vol11/Gloor | An Empirical Analysis of Artists’ Time on the Popular Charts |
meiea.org/Journal/Vol11/Harrington | The Role of the Expert Witness for the Defense in a Music Copyright Infringement Matter |
meiea.org/Journal/Vol11/Pillich | Cautionary Tales from the Changing World of the Hollywood Film and Television Studio Musician |
meiea.org/Journal/Vol11/Rothschild | Slipknot…or Not: Applying Stakeholder Management Theory to Entertainment Venue Booking Decisions |
meiea.org/Journal/Vol11/Hatschek | Balancing Music Industry Curricula in Undergraduate Degree Programs: |
meiea.org/Journal/Vol11/Tappan | A Model for Teaching Master-Level Audio Production: “COLA” |
meiea.org/Journal/Vol11/Wald | Music Industry Administration in the Digital Age – |
meiea.org/Journal/Vol11/Dicker | The U2 360-Degree Tour and Its Implications for the Concert Industry |
meiea.org/Journal/Vol11/Reviews | Reviews |
meiea.org/Vols-6-10 | Volumes 6 - 10 |
meiea.org/Volume-10 | Volume 10 (2010) |
meiea.org/Journal/Vol10/Gloor_Rolston | Can The Madness Be Monetized? An Exploratory Survey of Music Piracy and Acquisition Behavior |
meiea.org/Journal/Vol10/Tompkins | The Impact of Late Night Television Musical Performances on the Sale of Recorded Music |
meiea.org/Journal/Vol10/Williams | Navigating Proximities: The Creative Identity of the Hired Musician |
meiea.org/Journal/Vol10/Taylor | Termination of Copyright Transfers: |
meiea.org/Journal/Vol10/Marcone | Is the Long Tail Really Wagging? |
meiea.org/Journal/Vol10/Linden | Coping with Narcissism: Causes, Effects, and Solutions for the Artist Manager |
meiea.org/Journal/Vol10/Chase_Hatschek | Efforts to Build and Sustain an Integrative Learning Model in Music Management |
meiea.org/Journal/Vol10/Tough | Shaping Future Audio Engineering Curricula: An Expert Panel's View |
meiea.org/Journal/Vol10/Channell_Anderson | Creating Virtual Internships in the Music Business |
meiea.org/Journal/Vol10/Reviews | Reviews |
meiea.org/Volume-9 | Volume 9 (2009) |
meiea.org/Journal/Vol9/Herreman | Audio Mash-Ups and Fair Use: |
meiea.org/Journal/Vol9/Gloor | What is Choruss and Should We Sing Along? |
meiea.org/Journal/Vol9/Tompkins_Rolston | A Quantitative Analysis of the Factors Attributed to Gold, Platinum, and Multi-Platinum Records |
meiea.org/Journal/Vol9/Wangler | Naxos – A Classic Example of Marketing Principles: |
meiea.org/Journal/Vol9/Hearn | The Representation of Major and Independent Record Labels in Billboard Magazine |
meiea.org/Journal/Vol9/Lewis | Media Evolution and its Correlative Effect upon Curricular Instruction in the Twenty-First Century |
meiea.org/Journal/Vol9/Piechocinski | What Do University Students Really Think About Copyright Issues? |
meiea.org/Journal/Vol9/Bartlett | Drifting Down the Webcasting Stream: |
meiea.org/Journal/Vol9/Reviews | Reviews |
meiea.org/Volume-8 | Volume 8 (2008) |
meiea.org/Journal/Vol8/Alhadeff | U.S. Music Industry Statistics: |
meiea.org/Journal/Vol8/Gloor | “Selling Out” Taken To New Levels: |
meiea.org/Journal/Vol8/Elton | Identifiers Used in the Music Industry |
meiea.org/Journal/Vol8/Lawrence | David Blakely: |
meiea.org/Journal/Vol8/Ohara | Technology, Copyright Law and the Future: |
meiea.org/Journal/Vol8/Morrow | Testing “Music 2.0”: |
meiea.org/Journal/Vol8/Jarchow | Keeping Classical Music Alive: |
meiea.org/Journal/Vol8/Lokin | The Concert Business: Then and Now |
meiea.org/Journal/Vol8/Reviews | Reviews |
meiea.org/Volume-7 | Volume 7 (2007) |
meiea.org/Journal/Vol7/Raines_Brown | Evaluating the Economic Impact of the Music Industry |
meiea.org/Journal/Vol7/Porse | Innovation and Production Networks in Regional Music Scenes |
meiea.org/Journal/Vol7/Kellogg | Free the Music Now! |
meiea.org/Journal/Vol7/Lawrence | The Revolution in Licensing Music for Television Has Arrived: |
meiea.org/Journal/Vol7/Sosnick | Improving the Seasonal Release Calendar for Recorded Music |
meiea.org/Journal/Vol7/Marcone | Current Sales Data and What the “Long Tail” Might Be Doing |
meiea.org/Journal/Vol7/Butler | BlueT.O.M. Blueprint: |
meiea.org/Journal/Vol7/Strasser_McLaughlin | An Investigation of the Impact of Music Industry Cooperative Education |
meiea.org/Journal/Vol7/Piechocinski | On Teaching Music Business in 2006 China |
meiea.org/Journal/Vol7/Lowdermilk | An Analysis of the Jam Band Community and Its Unique Business Model |
meiea.org/Journal/Vol7/Sobel | Music Schools: Are We Incubating Excellence? |
meiea.org/Journal/Vol7/Reviews | Reviews |
meiea.org/Volume-6 | Volume 6 (2006) |
meiea.org/Journal/Vol6/Alhadeff | The Value of Music and the Trappings of the Marketplace, 1990–2005 |
meiea.org/Journal/Vol6/Hill | Teaching with Pro Tools? Proceed With Caution! |
meiea.org/Journal/Vol6/Papadopoulos_Rolston | Stochastic Demand and Sound Recording Pricing |
meiea.org/Journal/Vol6/Strasser | Simulation and Role Playing in Music Industry Education: |
meiea.org/Journal/Vol6/Garfrerick | Music and Entertainment Industry Curricula: A Case for Autonomy? |
meiea.org/Journal/Vol6/Akins | Facilities Used For Introductory Electronic Music: |
meiea.org/Journal/Vol6/Hearn | Four Square Studio: |
meiea.org/Journal/Vol6/Reviews | Reviews |
meiea.org/Vols-1-5 | Volumes 1 - 5 |
meiea.org/Volume-5 | Volume 5 (2005) |
meiea.org/Volume-4 | Volume 4 (2004) |
meiea.org/Volume-3 | Volume 3 (2003) |
meiea.org/Volume-2 | Volume 2 (2002) |
meiea.org/Volume-1 | Volume 1 (2000) |
/Submission-Guidelines | View our submission guidelines |
meiea.org/About-Journal | About The Journal |
meiea.org/Proceedings | Summit Proceedings |
meiea.org/Proceedings/2019 | Summit Proceedings - 2019 |
meiea.org/Proceedings/2018 | Summit Proceedings - 2018 |
meiea.org/summit | 2019 Summit Information |
meiea.org/summit-schedule | 2019 Summit Schedule |
meiea.org/Archives | Event Archive |
meiea.org/Summit-Papers-2016 | Summit Papers 2016 |
meiea.org/Summit-Papers-2015 | Summit Papers 2015 |
meiea.org/Summit-Papers-2014 | Summit Papers 2014 |
meiea.org/Summit-Papers-2013 | Summit Papers 2013 |
meiea.org/Summit-Papers-2012 | Summit Papers 2012 |
meiea.org/Past-Summits-&-Conferences | Past Summits & Conferences |
meiea.org/page-1852261 | Past Summit Proceedings |
meiea.org/member | Member |
meiea.org/posting_jobs | How to post jobs |
meiea.org/grants | Grants |
meiea.org/faculty_research_grants | Faculty Research Grants |
meiea.org/student_enrichment_grants | Student Enrichment Grants |
meiea.org/join | Join |
meiea.org/individual_member | Individual Member |
meiea.org/institutional_member | Institutional Member |
meiea.org/donate | Donate |
meiea.org/Contact | Contact |
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США - Lockport - 72.30.38.140
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Inktomi Corporation
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