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/story/20/5020.html | Interviews & Features DIFF at 40: An interview with festival manager Chipo Zhou With the 40th season underway and judging from a... |
/story/19/5019.html | Interviews & Features Once upon a time halfway around the world: A review of Rwanda Like all sprawling traumas of its kind, the ... |
/story/18/5018.html | Interviews & Features Roads to Olympia premieres at DIFF Some five years after work began on it, Roads to Olympia finally premie... |
/story/17/5017.html | Interviews & Features A Day (or so) in the Life of Rwanda’s Riccardo Salvetti 1. The day, the part of it I’m willing to recou... |
/story/16/5016.html | Interviews & Features A Haunted Past review This heartfelt documentary tells the story of Tawfiq, a scorned man, helpless father... |
/story/14/5014.html | Interviews & Features Buñuel Making a Documentary? The art of cinema, emulating reality, allows questions with no answers to be ... |
/story/12/5012.html | Interviews & Features Welcome to Chile In an age of walls and migrant caravans, the story of Steevens Benjamin becomes significa... |
/story/10/5010.html | Interviews & Features False Altruism We when talk about others from a position of privilege, it is not at all uncommon to fall i... |
/story/08/5008.html | Interviews & Features Of Alibis and Shields: Rhetorical Filmmaking and the Role of Criticism Everyone who has experienced the at... |
/story/06/5006.html | Interviews & Features The Rise and Fall of Intentions Since the birth of the first moving images, filmmaking and intention were ... |
/story/04/5004.html | Interviews & Features Shadows of Forgotten Ancestors Condemn the present, examine the past or escape to a better future? Three f... |
/story/02/5002.html | Interviews & Features Two Takes on THE PLAGIARISTS As part of the Talent Press workshop all eight participants wrote a review ab... |
/story/00/5000.html | Interviews & Features Of Fathers and their Sons In THE BOY WHO HARNESSED THE WIND, the stirring directorial debut by British-Nig... |
/story/98/4998.html | Interviews & Features Vignettes of the Great Indian Romantic Hypocrisy There is an inceptive sequence in Ritesh Batra’s PHOTOGRA... |
/story/96/4996.html | Interviews & Features Lord of the Flies Redux: Alejandro Landes’ MONOS The teens at the centre of Alejandro Landes’ electrifying... |
/story/94/4994.html | Interviews & Features Phantoms of Cinema Past “There’s no space for liberty,” says filmmaker Suhaib Gasmelbari about the state o... |
/story/92/4992.html | Interviews & Features Sex and the City: Tamer Jandali’s EASY LOVE Opening the Perspektive Deutsches Kino section of this year’s ... |
/story/90/4990.html | Interviews & Features Funeral for a Friendship There is a scene late into Dan Salitt’s Berlinale Forum entry FOURTEEN (USA) wher... |
/story/88/4988.html | Interviews & Features Shooting the Mafia, Out of Focus Sicilian photographer Letizia Battaglia began photographing Mafia murders... |
/story/86/4986.html | Interviews & Features Detours in the Steppe In the haunting opening sequence of Wang Quan’an’s ÖNDÖG, a car stumbles upon a dead... |
/story/84/4984.html | Interviews & Features What Film Means to Me There isn’t a time in my life that I haven’t been fascinated by moving pictures. Thi... |
/story/82/4982.html | Interviews & Features The Narrative Plurality of Indian Cinema My mother-tongue is Bangla, an Indo-Aryan language that is the li... |
/story/80/4980.html | Interviews & Features Film Criticism in Times of Disaster It all started with an almost unconscious desire to continue the exper... |
/story/78/4978.html | Interviews & Features Healing Powers of Cinema: Brief Notes on the Trans-Andean Present Although I always try to remain optimist... |
/story/76/4976.html | Film To those who will come after us The first image: a finger pointing up. “Think with your hands”, says Godard’s fragile voice... |
/story/74/4974.html | Film Grave of the fireflies The choice of the plural form in the title of Beatriz Seigner’s film is not random; the silences tha... |
/story/72/4972.html | Film History (un)defined A camera films another camera; a tremulous voice; a tear trickling down the face; “people need to wake ... |
/story/70/4970.html | Film Future, Perfect The Greek short film THE FOREST / TO DASOS (2018) by Lia Tsalta follows a group of tourists wandering about... |
/story/68/4968.html | Film Cecilia Ștefănescu’s Short Film Shows a Women’s Liberation Isn’t a Breeze Some film characters seem to live in parallel uni... |
/story/66/4966.html | Film Untravel Ana Nedeljković and Nikola Majdak Jr.’s clay animation UNTRAVEL / NEPUTOVANJA (2018) is screened as part of the In... |
/story/64/4964.html | Film Through a Blurred Glass In his directorial debut with the short movie BREATH / DAH (2018), the famous Bosnian actor Ermin B... |
/story/62/4962.html | Film The Kids Are Just Playing For most of us, the idea that innocent souls such as children are capable of doing harm to one an... |
/story/60/4960.html | Reportage Cocote, reveals an unusual discovery Catalogue text Nelson Carlo de los Santos Arias’s film reveals an unusual dis... |
/story/56/4956.html | Reportage Freedom or The way I like it Talent Press and Programmers We are launching the 13th edition of Talents Buenos Aires by... |
/story/54/4954.html | Film The Artificial Life of the Spirit Sometimes the spirit dies before the body: it happens in wars, in genocides, in rapes. In... |
/story/52/4952.html | Film The Decadence of a Substitute Body In cinema, decadence is often a gateway to transformation, both physical and psychologic... |
/story/50/4950.html | Film Living in Difference Simply as image ―visual image and sound image― cinema is a political act. Even if the possibility of p... |
/story/48/4948.html | Film The Possibility of a Family In this new film by Catalan director Carlos Marqués-Marcet (10,000 km), a grieving Eva (Oona Ch... |
/story/46/4946.html | Film The Force of Concrete In Carlos Marqués-Marcet’s 10,000 km (2014), the physical distance separating the characters operated... |
/story/44/4944.html | Film Conventions of the Non-Traditional Family A boat wanders about the picturesque canals of London. In it, Eva and Kat maintai... |
/story/42/4942.html | Film Make-up as the Passport to Femininity Enormous nail extensions, thick layers of powder and artificial eyelashes appear on t... |
/story/40/4940.html | Film Reorientation: Secrets and Alternative Archives Any archive, whatever its ostensible or official aim, can double as some so... |
/story/38/4938.html | Film On the Politics of Revealing “My secret is to see competition as inspiration,” said programme manager Florian Weghorn at th... |
/story/36/4936.html | Film CONCEALING TO REVEAL When an eel gives birth, it immediately abandons her babies and dies in the ocean. This process is a r... |
/story/34/4934.html | Film DAMSEL in Distress Sibling directors David and Nathan Zellner bridge high and low in their quixotic western DAMSEL by messi... |
/story/32/4932.html | Film Uprooted, Fenced-in Narjis Nejjar’s APATRIDE (Bela Mawten, Morocco), which premiered in the Forum selection of this year’s ... |
/story/30/4930.html | Film Linkswalzer: Ruth Beckermann on WALDHEIM’S WALTZ “One dances the waltz to the right side,” Ruth Beckermann told me in a con... |
/story/28/4928.html | Film Timely Lessons on Feminist Dissidence This year’s Berlinale Shorts Special Programme “1968 – Red Flags for Everyone” commem... |
/story/25/4925.html | Film What We Talk About When We Talk About Death DIE TOMORROW by Thai filmmaker Nawapol Thamrongrattanarit combines essayistic i... |
/story/23/4923.html | Film Forced Out of the Box Women’s fear of aging is deeply rooted in mass media representation of elderly female characters. The... |
/story/21/4921.html | Film Carry-ons: Time and Reminiscences in Park Kiyong’s OLD LOVE Despite a steady output of features and documentaries, Korean f... |
/story/19/4919.html | Film A Fun Ride Japan, 1994 – existential boredom plagues the lives of six angsty teenagers, whose own brand of “mal de siècle” ... |
/story/17/4917.html | Reportage The Long and Tough Path to Established Film Criticism I started getting involved in film criticism in 2010 when I part... |
/story/15/4915.html | Reportage Befriending the New A queue without a source, a crowd spilling onto the streets, and a handful of people elbowing thei... |
/story/13/4913.html | Reportage With Glowing Hearts: A Brief Note on Canada and Criticism As a film critic from Canada, a relatively small country wit... |
/story/11/4911.html | Reportage A Fragmentation of Cinematic Waves Is the Main Challenge of Italian Film Criticism I am a classicist with a solid acad... |
/story/93/4893.html | Film Review: THE PERFECT ORDER / SRULKOPILI SHEKVETA In a day and age which uses more emojis than actual words, THE PERFECT ORD... |
/story/91/4891.html | Film Review: PLAN A Competing for the Heart of Sarajevo in the Shorts selection , PLAN A (2016) is a directing debut for the ... |
/story/89/4889.html | Film Review: THE PERFECT ORDER / SRULKOPILI SHEKVETA Is there a way to substitute real, organically formed relationships? This h... |
/story/87/4887.html | Film Review: INTO THE BLUE / U PLAVETNILO Coming to Sarajevo Film Festival’s Short Film Competition after picking up the Spec... |
/story/85/4885.html | Film Review: OUTSKIRTS / HİNTERLANT OUTSKIRTS / HİNTERLANT (2017), the name of the short movie by the Turkish director Sinan Ke... |
/story/83/4883.html | Film Review: THE BLUE / U PLAVETNILO INTO THE BLUE / U PLAVETNILO (2017), the latest work of Antoneta Alamat Kusijanović, a Cr... |
/story/06/4906.html | Film A comedy of mistakes, New Hollywood style The American brothers Ben and Josh Safdie’s fourth feature film, GOOD TIME, repre... |
/story/04/4904.html | Film A FACTORY DEVOTED TO THE PAST In THE NOTHING FACTORY, the Portuguese director Pedro Pinho focuses on the dramatic transitio... |
/story/02/4902.html | Film The viewer launched into doubt With pedophilia as the backdrop, LIQUID TRUTH, by Carolina Jabor, critically analyzes virtua... |
/story/00/4900.html | Film The fantastic real Brazil Building on the popular imaginary, from the world of werewolves, Good Manners is an essay on hu... |
/story/98/4898.html | Film The possibility of empathy In The Florida Project , Sean Baker follows his project of filming marginalized people with aff... |
/story/96/4896.html | Film Torquato Neto for Beginners TORQUATO NETO – EVERY HOUR OF THE END relies on a didactic narrative that presents the poet to ... |
/story/70/4870.html | Film The Wound: Compelling, controversial and queer The film that really got the Talent Press team talking this year was the pow... |
/story/67/4867.html | Interview The Wound's main actor on the film that set social media on fire Singer-songwriter, novelist and actor Nakhane (he dro... |
/story/66/4866.html | Film Serpent: An artsy safari slasher SERPENT Directed by: Amanda Evans Starring: Sarah Dumont, Tom Ainsley 2 out of 5 sta... |
/story/64/4864.html | Film Petty yet pretty – Divorce antics in Potato Potahto POTATO POTAHTO Directed by Shirley Frimpong-Manso Starring: OC Ukej... |
/story/62/4862.html | Reportage Log #8 DEMONIOS TUS OJOS (YOUR DEMON EYES) Pablo Aguilera’s new film, Your demon eyes , arrives at BAFICI, in the ... |
/story/60/4860.html | Reportage Log #6 We continue. Yesterday we were invited to a dialogue with the German magazine Revolver and its Argentine cous... |
/story/58/4858.html | Reportage Log #4 Life at Talents BA It is the day before last of events and the body is demanding a forceful break. These d... |
/story/56/4856.html | Reportage Log #2 You lose track of time. It’s been two days and it feels like a week. You return to the hostel and start to ... |
/story/53/4853.html | Film LAS DOS IRENES: The Triumph of Childhood A girl in the process of becoming an adolescent discovers that her father has anot... |
/story/51/4851.html | Film A Cloak of Magic and Mysticism: SUEÑO EN OTRO IDIOMA Like a lyrical dream, the Mexican rainforest opens as a backdrop in fi... |
/story/49/4849.html | Film We Are Still the Same Species: LA LIBERTAD DEL DIABLO The sixth documentary feature by Mexican Everardo González, LA LIBERT... |
/story/47/4847.html | Film VERÓNICA and ANADINA: Won't You Buy Me a Marzipan? One of the maxims in stories is that a tale contains a secret narrative.... |
/story/45/4845.html | Film Nonexistent Destination: TSCHICK Known for addressing Eastern European cultural conflicts in his films, it is surprising th... |
/story/41/4841.html | Reportage IN THEIR SHOES What does a love story between two young men of the Xhosa community in South Africa have in common with... |
/story/39/4839.html | Reportage SUPERCOLLIDERS AND BUILDING BLOCKS – GUADAGNINO VS. KAURISMÄKI In subtle and surprising ways, Luca Guadagnino’s CALL M... |
/story/37/4837.html | Reportage ALL YOUR CORPSES NOW BEGIN TO SPEAK – THROUGH FILM “But all our phrasing – race relations, racial chasm, racial justic... |
/story/35/4835.html | Reportage Political Cinema: The Past as a Provocation for the Present “History repeats itself” is as common a belief as vegetabl... |
/story/34/4834.html | Reportage Style Is the Answer “Style Is the Answer”, is a song that Iranian-American director Ana Lily Amirpour has been listeni... |
/story/30/4830.html | Film What an Empty Promise Feels Like “Why do you want to enter the Police Academy?” “Because it sounds safe” This exchange be... |
/story/28/4828.html | Film Political repression lies in people getting scared of a story 2034. This is the year Ukrainian filmmaker Oleg Sentsov is s... |
/story/31/4831.html | Film Culture Will Not Be Circumcised Two snips is all it takes to make a man within traditional Xhosa culture, if the male circu... |
/story/24/4824.html | Film Evicting History The architectural masterpieces that dot Abidjan’s landscape take centre stage in Laurence Bonvin’s AVANT L... |
/story/26/4826.html | Film Growing up in the Deep South DAYVEON by American director-composer Amman Abbasi is screening in Berlinale Forum and is also... |
/story/22/4822.html | Film Up Down Fragile Laura Schroeder’s filmic approach in BARRAGE (Berlinale Forum) presents as many obstacles for the inquisiti... |
/story/17/4817.html | Reportage Reconstructing memories My decision to become a film critic was always driven by how I conceive cinema in my country.... |
/story/19/4819.html | Reportage Film criticism in Egypt: Observing blossom out of challenge Egypt has a long standing cinema industry. It is one of th... |
/story/16/4816.html | Reportage The State I am In My country has been under the grip of austerity for more than six years. The UK Film Council was dis... |
/story/14/4814.html | Reportage Writing About "A Hell of a Truth" Talking about the national cinema and film criticism in one’s country to an outside ... |
/story/97/4797.html | Film Shakespeare in its richest film translation Matias’ Pinheiro’s most recent feature is one of those rare new films that actu... |
/story/93/4793.html | Film A Modern Take on Classic Stories of Fatherhood At first, Son of Joseph ( Le Fils de Joseph , 2016), directed by Eugène Gr... |
/story/90/4790.html | Film Born to Shine “Being a diva is serious business. A diva is a diva.” This is how the transvestite Fujika de Halliday explain... |
/story/88/4788.html | Film Requiem for the city of Cairo, by Tamer El Said In the Last Days of the City shows us a bleakness typical of a requiem. W... |
/story/87/4787.html | Film Terence Davies and his search for a soft touch In Terence Davies’ film The Deep Blue Sea (2011), the image of Rachel Weis... |
/story/84/4784.html | Film Cinema Novo or an Urgent Need for Memories Eryk Rocha dedicated his 2002 film, Stones in the Sky , to his father filmmaker... |
/story/68/4768.html | Film Toni Erdmann - The Magical Furry Man to the Rescue A chubby man in disguise, with an awkward sense of humour - that needs a... |
/story/66/4766.html | Film Mother Died Today There are different ways to approach the subject of the death of a parent. Certainly Jacqueline Lentzou, ... |
/story/64/4764.html | Film Fox / Alepou Facing the death of a loved one translates into an in-between moment that changes who we are, how we value the... |
/story/74/4774.html | Film Review: Evolution What is at stake in certain films is less a comprehensible story involving a motivated character, an even... |
/story/72/4772.html | Film Review: Transition Milica Tomović's TRANSITION / TRANZICIJA (2016) is about the changes and vulnerability of a woman who ca... |
/story/70/4770.html | Film Graduation: Eastern-European Cheating Games When, last month, Melania Trump delivered a speech plagiarised from Michelle Ob... |
/story/59/4759.html | Film Review of Viviré con tu recuerdo, directed by Sergio Wolf (International Competition) “I will remember, from your passion, ... |
/story/51/4751.html | Reportage From the tutors wordsChronicle on The role of film criticism To like a film is not enough, one must like it for the ri... |
/story/49/4749.html | Reportage Chronicle of the session Sans Toit ni Loi with Agnès Varda “Imagine you had to make Sans Toi ni Loi today. What kind... |
/story/44/4744.html | Film Canoa: the metaphor of an elusive Mexico “We had the taken the formal decision of being witnesses of our time." This is ho... |
/story/43/4743.html | Film Canoa by Felipe Cazals Towards the middle of the 70's the young vigour of the preceding decade in Mexico, was landing on a ... |
/story/41/4741.html | Film Documentary or performance? Watching the film Margarita (2016), by Bruno Santamaría Razo, prompts the necessary question:... |
/story/39/4739.html | Film A fable on obesity What is the distance between a person and the world that surrounds him? This is the question that Alejan... |
/story/35/4735.html | Authors Yoshua Oviedo Costa Rican, he has a degree in psychology. In 2011, he created the VIVECINESCRÚPULOS project that promote... |
/story/33/4733.html | Authors Pedro Emilio Segura Bernal Bachelor's degree in Communication Sciences, independent film critic since 2010. He has publi... |
/story/31/4731.html | Authors Julio César Durán Writer and film critic born in Mexico City, graduated from the Faculty of Arts of UNAM. He founded the... |
/story/29/4729.html | Reportage A Tale of Two Mexican Cinemas In last year's Berlinale Competition film EISENSTEIN IN GUANAJUATO (UK-Mexico, 2016), di... |
/story/25/4725.html | Film We Are All Theatre Following the principles of Augusto Boal’s “Theatre of the Oppressed,” BETWEEN FENCES (Israel/France, Be... |
/story/24/4724.html | Film The Vibrant Bunker Colombia-raised and New York-based artist Mike Crane traveled to Lithuania and found a training camp tha... |
/story/22/4722.html | Film The (Alien) Children Are Watching Us Regarding his previous features, it’s clear that Jeff Nichols has some respect for sev... |
/story/20/4720.html | Film Digging the Past “I’ve been picturing this place in my mind for years,” begins Burma-born and Taiwan-based filmmaker Midi Z... |
/story/18/4718.html | Film A Romanticized Attachment to Home The Berlinale Competition film LETTERS FROM WAR (CARTAS DA GUERRA, Portugal) is based on ... |
/story/16/4716.html | Film On Location On May 4th, 1970, in response to Richard Nixon’s invasion of Cambodia, four students at the Kent State Universi... |
/story/12/4712.html | Film Insight from the Balcony HOUSES WITHOUT DOORS (Manazil Bela Abwab, Syria-Lebanon, 2016) by Avo Kapealian is a documentary i... |
/story/13/4713.html | Interview The Portuguese Take over the Berlinale Berlinale Talent and Portuguese producer Pedro Fernandes Duarte has a cameo in ... |
/story/11/4711.html | Interview On the Language of Trauma in Differing Cultural Contexts After an epic journey to Berlinale 2016 consisting of three s... |
/story/08/4708.html | Authors The Great Challenges It is great to be a film critic but it is so difficult to be a good one. The challenge is how to ma... |
/story/06/4706.html | Authors Footnotes to Flemish Film Criticism and Culture “Film criticism in Flanders is nonexistent.” This remark, made at a rece... |
/story/04/4704.html | Authors Learning to See People say nowadays, that Mexican films are exploding worldwide – that they’re revolutionary, courageous... |
/story/02/4702.html | tp.kyff.20sec.de Mao Was A Film Critic Mao was a film critic in China, among many other positions he occupied. His review of The... |
/story/84/4684.html | Film Viaje Viaje, the second feature of young director Paz Fábrega, starts as a cute boy meets girl/road trip film with two char... |
/story/82/4682.html | Film Wasting young years A young director, a low budget, a small crew, and a take on the lives and relationships of twenty-somet... |
/story/80/4680.html | Film Prends-moi Directors Anaïs Barbeau-Lavalette and André Turpin came up with the idea for the short Prends-moi after learning... |
/story/78/4678.html | Film Little entangling in overambitious Entanglement Two brothers and one woman in a remote house. It might feel rather familiar... |
/story/76/4676.html | Film AFERIM! – CONRAVERTIONS VERSUS FRESH PROVOCATIONS In comparison with the two previous films made by Radu Jude - The Happies... |
/story/70/4670.html | Film Review: Wild Dog and Mrs Heart In this new Riaan Hendricks documentary, Wild Dog and Mrs Heart, the relationship between ma... |
/story/68/4668.html | Film REVIEW: FADHMA N’SOUMER THIS biopic of Algeria’s national hero is written and directed by Belkacem Hadjadj. It also won him... |
/story/66/4666.html | Film REVIEW: PARABLE OF A RAILWAY STREET Kamo Kwele’s Parable of the Railway Street is a minor-slice-of life look at the dashed ... |
/story/63/4663.html | Film Review: Do I Sound Gay? Do I sound gay? Umm that’s the question. In many African countries, where being gay has been cri... |
/story/47/4647.html | Interview Cinematographic Hyperrealism: interview with Gabriel Ripstein In “600 Millas” (600 Miles) by Gabriel Ripstein, Arnulfo... |
/story/45/4645.html | Film La búsqueda de Venecia (The Search for Venice) Immobility feeds the unease, the fears, and the traces of ghosts that wander... |
/story/43/4643.html | Film Tiempo suspendido (Suspended Time) What is the best way to forget? Laura Bonaparte might have asked herself this question o... |
/story/41/4641.html | Film FICG2015: Gabriel Ripstein's 600 Millas (600 Miles) A young American goes languidly into a store, walks around, heads for t... |
/story/38/4638.html | Film The copied city If in a brochure which promotes a Chinese pseudo-urban, pseudo-touristic project, Aryan and blond character... |
/story/34/4634.html | Film Water as metaphor in El botón de nácar by Patricio Guzmán (2015) “Chile is a country to roll up”, said Patricio Guzmán in t... |
/story/31/4631.html | Reportage Today Special screening celebrating our 10 years of Latinamerican views through Talents Buenos Aires! We could start b... |
/story/20/4620.html | Film Film landscapes As we travel with Gertrude Bell, the protagonist of Werner Herzog's facile biopic QUEEN OF THE DESERT (USA/... |
/story/16/4616.html | Film Short Films: The Challenges of Creative Freedom How do short films address the question of contemporary narrative strategie... |
/story/13/4613.html | Film Another Type of Arab Uprising Over the past few years, sounds from Middle Eastern countries have been those of violent prot... |
/story/08/4608.html | Film Sometimes Things Are just Bad A toxic film monster that shows us a slowly degrading relationship between two long-time frie... |
/story/12/4612.html | Film A Tangled Web that Children Weave The children in THE SPIDERWEBHOUSE (IM SPINNWEBHAUS; GERMANY) make their insect pets feel... |
/story/10/4610.html | Film Sex in Brooklyn: Joanna Arnow’s BAD AT DANCING Does the world need another coming of age story? Maybe not, suggests Brookly... |
/story/07/4607.html | Film NOBODY WANTS THE NIGHT Artistically empty and stereotypical portrait of naive female explorer. A delicate, pale face, co... |
/story/03/4603.html | Film Behind the Volcano The earth around the volcano is thick and black. Seventeen-year-old María and her mother Juana kneel in ... |
/story/02/4602.html | Film Learning the Colour of Money The Berlinale Panorama film HOW TO WIN AT CHECKERS (EVERY TIME), Josh Kim’s adaptation of Ratt... |
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/story/95/4595.html | Film Feminist Cinemas and New Ways of Watching Toronto, in particular, is #blessed with the Toronto International Film Festival ... |
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/story/91/4591.html | Film Nigerian Cinema's Nominal Headache For these newer filmmakers ‘Nollywood’ far from being just a name, represents a certain ... |
/story/70/4570.html | Film Hard to watch, hard not to watch There is a beautifully shot scene in Abdelrahman Sissako's TIMBUKTU. A man has just shot a... |
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/story/66/4566.html | Film A New Take On Patriarchy There is an unflinching consensus that change is the one constant thing. But it would seem that th... |
/story/30/4530.html | Film Great Talents Buenos Aires closure with the marvelous Jonas Mekas Videoconference with Jonas Mekas by Sebastián Rosal I... |
/story/28/4528.html | Film Across a generation Across a generation with Cao Guimaraes By José Francisco Peña Loyola It was the third day of confer... |
/story/26/4526.html | Film The state of film criticism in Latin America Talent Press conference: State of film criticism in Latin America By Yuraima ... |
/story/19/4519.html | Film ROLE MODEL Role model by Andrés Rodelo If Tony Manero (2007), the film by Chilean Pablo Larraín, had as its epicenter t... |
/story/10/4510.html | Film Love grope achievements and setbacks of a film. HOJE EU QUERO VOLTAR SOZINHO (I want to go alone 2014) Daniel Ribeiro´s ope... |
/story/08/4508.html | Film Bad Hair: the weight of difference Pelo Malo (2013), third feature from Venezuelan director´s Mariana Rondon, presented in ... |
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/story/00/4500.html | Film HOJE EU QUERO VOLTAR SOZINHO: From blind loves, hidden, simplified In his first feature film, HOY QUIERO VOLVER SOLO (Today... |
/story/77/4477.html | Film One film, two reviews: NUOC **Centering Humanity** By Tara Judah Imagining what the world will look like, just sixtee... |
/story/72/4472.html | Interview An outsider in a relationship with the audience John Trengove is a promising filmmaker from South Africa, mostly known... |
/story/70/4470.html | Reportage Using controversy to build expectation No paper bags, provocative T-shirts or storming out of the room: when producer ... |
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/story/27/4427.html | Film Noam's Arch Acclaimed French director Michel Gondry’s latest project may seem like a minor one, yet it is a significant pri... |
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/story/69/4369.html | Film Eroding Youth MORNING PRAYERS, a short film made as a part of the Sarajevo City of Film project, definitely shows that its ... |
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/story/57/4357.html | Film The World in Three Colours In the aftermath of war, achieving peace becomes a communal effort. This comes to the fore in Jo... |
/story/53/4353.html | Interview An Editor's Inspiring Resilience Even in developed film industries like Hollywood, female editors are still a rare spe... |
/story/52/4352.html | tp.kyff.20sec.de Switching Roles After charming audiences with his superb performance, NAIROBI HALF LIFE star Joseph Wairimu has... |
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/story/32/4332.html | Film Images Of Nostalgia Even though no Bolivian films were programmed in this edition of BAFICI, there are two that indirectly ... |
/story/30/4330.html | Reportage Kind Words From A Strict Thinker Assistants to Talent Campus Buenos Aires 2013 had the opportunity of participating in... |
/story/26/4326.html | Reportage A New Humanistic Perspective On Chilean Cinema On Friday 13th, during the 8th Talent Campus Buenos Aires, filmmaker Ig... |
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/story/07/4307.html | Film The nightfall is also a goodbye The night of the 19th August, 2011, Raúl Ruiz went out of the montage studio in his house i... |
/story/04/4304.html | Film Seven boxes for a Guarani dream Now I can lie back in my seat, I’m definitely staying to watch this film. It is called 7 CA... |
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/story/61/4161.html | Reportage Lost in Translation This year, the Durban International Film Festival features a special focus on French cinema with a... |
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/story/63/4963.html | Film The Wild Pear Tree “Everything is too far” – says one character in THE WILD PEAR TREE / AHLAT AĞACI (2018), the latest film... |
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/story/61/4861.html | Reportage Log #7 21 April. 2 pm. We are getting ready for another conference at Talents. Judging by the rumours and by what h... |
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/story/57/4857.html | Reportage Log # 3 The Talents BA experience appears, at least these days, strange to me. After a series of bilingual and rather ... |
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/story/38/4838.html | Reportage You and Your Folks, Me and My Folks Some of the films in the 67th Berlinale seem like a direct response to the current... |
/story/36/4836.html | Reportage People in Peril In Michael Rabiger’s book, “Directing the Documentary” (Focal Press, 1987), he writes: “Documentaries ... |
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/story/25/4825.html | Film Open Wound Filmmaker John Trengove does not believe in comfortable resolutions. And after watching his debut film, THE WOUN... |
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/story/23/4823.html | Film THE ENEMY IMPERFECT One of East Germany’s hidden treasures, EOLOMEA (Herrmann Zschoche, East Germany) is part of the 67th B... |
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/story/94/4794.html | Film The Sexy Vampirism in The Hunger The Hunger (1983) is one of those movies that needs a future. Tony Scott’s commercial obj... |
/story/92/4792.html | Film João Pedro Rodrigues and the Birds that See Everything A snippet of a memory: a silhouette of a dog in the foreground of P... |
/story/89/4789.html | Film Dying to Live I died. I don’t know exactly when but one day I woke up and was dead. What did I do next? The film by Bia Les... |
/story/85/4785.html | Film Running to Find Time The documentary Cinema Novo , by Eryk Rocha, juxtaposes several works that came out of the movement i... |
/story/86/4786.html | Film Eveything Solid Disintegrates into Thin Air A train crosses the city. "It’s already the second time", says the woman who is... |
/story/69/4769.html | Film Before the Storm Fox (2016) may be a short film concerning its length, but as far as the plot is concerned, the skilful st... |
/story/67/4767.html | Film Playing through the Trauma – The Short Films of Petra Szőcs Dealing with personal and socio-political traumas is at the cor... |
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/story/60/4760.html | Film Argentine Short Films Competition: four reviews Los días felices by Agostina Guala (First Prize) The beginning of the y... |
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/story/48/4748.html | About us Talents Buenos Aires 2016 Talents Buenos Aires is proud to present and celebrate, together with the 66 selected partici... |
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/story/28/4728.html | Reportage In Search of El Dorado “Shadow,“ said he, “Where can it be – This land of Eldorado?“ (Edgar Allan Poe, “Eldorado”, ... |
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/story/09/4709.html | Authors Evading the Look After the collapse of the Soviet Union, rethinking the socialist past seemed like an important chore th... |
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/story/76/4376.html | tp.kyff.20sec.de No Rest for the Wicked SOLDATE JEANETTE is a drama about two women's spiritual rebellion against the material w... |
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